MARC Record from marc_columbia

LEADER: 05168cam a2200577 i 4500
001 12872600
005 20171120154533.0
008 160127t20162016txua b s001 0 eng c
010 $a 2016003757
020 $a9781477303757$q(cloth ;$qalk. paper)
020 $a1477303758$q(cloth ;$qalk. paper)
020 $a9781477311080$q(pbk. ;$qalk. paper)
020 $a1477311084$q(pbk. ;$qalk. paper)
020 $z9781477311097$q(library e-book)
020 $z9781477311103$q(non-library e-book)
024 8 $a40026606390
029 1 $aCHVBK$b403217970
029 1 $aCHBIS$b010592689
029 1 $aCHVBK$b480066612
029 1 $aCHDSB$b006689694
035 $a(OCoLC)ocn936687486
035 $a(OCoLC)936687486
035 $a(NNC)12872600
040 $aTxU/DLC$beng$erda$cIXA$dDLC$dOCLCO$dOCLCQ$dBDX$dYDXCP$dOCLCF$dBTCTA$dIKM$dYDX$dOCLCO$dYUS$dOBE$dSOI$dCHVBK
042 $apcc
050 00 $aPN1995$b.N68 2016
082 00 $a791.43/6$223
086 $aZ UA380.8 N845$2txdocs
245 00 $aNotions of genre :$bwritings on popular film before genre theory /$cedited by Barry Keith Grant and Malisa Kurtz.
250 $aFirst edition.
264 1 $aAustin, TX :$bUniversity of Texas Press,$c2016.
264 4 $cÃ2016
300 $avii, 294 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction / Barry Keith Grant and Malisa Kurtz -- Part I. Comedy. Comedy's greatest era / James Agee -- Silent film comedy / Siegfried Kracauer -- Uncle Sam's funny bone / Allen Eyles -- Whatever happened to Hollywood comedy? / Dwight Macdonald -- The evolution of the chase in the silent screen comedy / Donald W. McCaffrey --From kops to robbers : transformation of archetypal figures in the American cinema of the 1920s and '30s / Carolyn and Harry Geduld -- Part II. The Western. The psychological appeal of the Hollywood Western / Frederick Elkin -- The Western, or the American film par excellence / Andrâe Bazin -- The Olympian cowboy / Harry Schein --The changing cowboy : from dime novel to dollar film / George Bluestone -- Sociological symbolism of the "adult Western" / Martin Nussbaum -- Puritanism revisited : an analysis of the contemporary screen-image Western / Peter Homans -- Part III. The fantastic. Supernaturalism in the movies / Parker Tyler -- Reflections on horror movies / Robert Brustein -- A brief, tragical history of the science fiction film / Richard Hodgens -- The imagination of disaster / Susan Sontag -- Extrapolative cinema / Ivor A. Rogers -- Even a man who is pure at heart : poetry and danger in the horror film / R.H.W. Dillard -- Part IV. Crime and punishment. The gangster as tragic hero / Robert Warshow -- Evolution of the thriller / Claude Chabrol -- Toward a definition of film noir / Raymond Borde and Etienne Chaumeton -- Paint it black : the family tree of the film noir / Raymond Durgnat -- Introduction to the gangster film / John Baxter.
520 $a"Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, Andrâe Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture" -- From the publisher.
650 0 $aFilm genres.
650 0 $aMotion picture plays$xHistory and criticism.
650 0 $aMotion picture authorship.
650 7 $aFilm genres.$2fast$0(OCoLC)fst00924269
650 7 $aMotion picture authorship.$2fast$0(OCoLC)fst01027122
650 7 $aMotion picture plays.$2fast$0(OCoLC)fst01027218
650 7 $aFilmgenre.$0(DE-588)4328427-9$2gnd
650 7 $aFilmkritik.$0(DE-588)4154367-1$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aGrant, Barry Keith,$d1947-$eeditor.
700 1 $aKurtz, Malisa,$eeditor.
852 00 $bbar$hPN1995$i.N68 2016