MARC Record from marc_columbia

LEADER: 03863cam a2200397Ii 4500
001 13260004
005 20190121134836.0
008 180509s2017 nyua c 000 0 eng d
019 $a989054109$a992711908
020 $a1944379142
020 $a9781944379148
035 $a(OCoLC)ocn992713455
035 $a(OCoLC)992713455$z(OCoLC)989054109$z(OCoLC)992711908
035 $a(NNC)13260004
040 $aMZA$beng$erda$cMZA$dFNE$dBDX$dYDX$dERASA
041 0 $aeng$akor
050 4 $aN7369.L44$bA4 2017
082 04 $a700.411
100 1 $6880-01$aYi, Sŭng-tʻaek,$d1932-
245 10 $aSeung-Taek Lee.
264 1 $a[New York, NY] :$bLévy Gorvy,$c2017.
300 $a111 pages :$billustrations ;$c31 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
500 $aCatalog of an exhibition held at Levy Gorvy Gallery, New York, march 15-Aprill 22, 2017.
500 $a"Published on the occasion of SEUNG-TAEK LEE, March 15 - April 22, 2017, in collaboration with Gallery Hyundai, Seoul, Korea" -- Colophon.
500 $a"At once emphatically abstract and culturally specific, the work of Seung-taek Lee (born 1932) draws on the subtle beauty of Korean aesthetic traditions and folk art, also reflecting contemporaneous developments in earth art, Mono-ha and postminimalism--while maintaining resolute independence from its peer groups. Lee's oeuvre spans painting, drawing, sculpture, installation and performance, often within the same piece. Notions of negation--which he alternately refers to as "dematerialization," "anti-concept," and "non-sculpture"--structure his approach, by which he transforms ordinary objects, imbuing them with multiple meanings and affects. Embracing invisible forces and unorthodox materials such as tree branches, wire, stones, human hair, fabric and rope, his art elevates the mundane to the level of myth. Published in conjunction with Lévy Gorvy's exhibition Seung-taek Lee, this illustrated publication features an interview of the artist by Hans-Ulrich Obrist, an essay by curator and scholar Kyung An, and a specially commissioned poem by Mónica de la Torre. This is the first English-language overview on Lee's work." -- From publisher's website, accessed 7/3/2017.
520 8 $aAt once emphatically abstract and culturally specific, the work of Seung-taek Lee (born 1932) draws on the subtle beauty of Korean aesthetic traditions and folk art, also reflecting contemporaneous developments in earth art, Mono-ha and postminimalism?while maintaining resolute independence from its peer groups. Lee?s oeuvre spans painting, drawing, sculpture, installation and performance, often within the same piece. Notions of negation?which he alternately refers to as 'dematerialization,' 'anti-concept,' and 'non-sculpture'?structure his approach, by which he transforms ordinary objects, imbuing them with multiple meanings and affects. Embracing invisible forces and unorthodox materials such as tree branches, wire, stones, human hair, fabric and rope, his art elevates the mundane to the level of myth. Published in conjunction with Lévy Gorvy?s exhibition Seung-taek Lee, this illustrated publication features an interview of the artist by Hans-Ulrich Obrist, an essay by curator and scholar Kyung An, and a specially commissioned poem by Mónica de la Torre. This is the first English-language overview on Lee?s work.00Exhibition: Levy Gorvy Gallery, New York, United States (15.03. - 22.04.2017).
600 10 $6880-02$aYi, Sŭng-tʻaek,$d1932-$vExhibitions.
710 2 $aLévy Gorvy (Gallery : New York, N.Y.)
880 1 $6100-01$a이승택,$d1932-
880 14 $6600-02$a이승택,$d1932-$vExhibitions.
852 00 $bfaxlcn$hN7369.L474$iA4 2017g