MARC Record from marc_columbia

LEADER: 03186cam a2200577Ii 4500
001 13268856
005 20180716131635.0
008 180517t20172017enkac b 000 0deng d
010 $a 2017492534
019 $a1000584675
020 $a9781786272188
020 $a1786272180
035 $a(OCoLC)on1007765411
035 $a(OCoLC)1007765411$z(OCoLC)1000584675
035 $a(NNC)13268856
040 $aMAV$beng$erda$cMAV$dBTCTA$dYDX$dBDX$dOCLCF$dUAB$dNZAUC$dEYM$dCDX$dDLC
050 4 $aN6797.H53$bA4 2017
082 04 $a709.2$223
100 1 $aHicks, Nicola,$d1960-$eartist.
240 10 $aWorks.$kSelections
245 10 $aNicola Hicks :$bkeep dark /$cwith texts by David Mamet, Candia McWilliam, Max Porter, Matilda Pye, Will Self, Patterson Sims.
246 30 $aKeep dark
264 1 $aLondon :$bElephant in association with Flowers Gallery,$c2017.
264 4 $c©2017
300 $a172 pages, 4 unnumbered pages :$billustrations (some color), portraits ;$c26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (page 174).
520 $a"Nicola Hicks's sculpture and drawing practice has focused upon heroic, humanized animals and mythic, beast-like humans. From the moment she burst upon the wider public stage, there has been no doubting her remarkable talent. Picked out while still at the Royal College of Art by the late Elisabeth Frink as a fellow spirit, she quickly established an immediate presence among the artists of her generation as a serious and substantial figure. She was remarkable on every count, for she flew in the face of the critical expectations of those days not just in the nature of the actual imagery she celebrated--figurative, romantic and expressive--but also in the direct and gleeful joy she took in the physical making of these things. This book is a visual celebration of her work and features essays written by Will Self, Max Porter, Candia McWilliam and David Mamet."--Amazon.com.
600 10 $aHicks, Nicola,$d1960-$xCriticism and interpretation.
600 17 $aHicks, Nicola,$d1960-$2fast$0(OCoLC)fst00355377
650 0 $aSculpture, English$y20th century.
650 0 $aSculpture, English$y21st century.
650 0 $aDrawing, English$y20th century.
650 0 $aDrawing, English$y21st century.
650 0 $aAnimals in art.
650 7 $aAnimals in art.$2fast$0(OCoLC)fst00809573
650 7 $aDrawing, English.$2fast$0(OCoLC)fst00897808
650 7 $aSculpture, English.$2fast$0(OCoLC)fst01109651
648 7 $a1900-2099$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aMamer, David,$ewriter of added commentary.
700 1 $aMcWilliam, Candia,$ewriter of added commentary.
700 1 $aPorter, Max,$ewriter of added commentary.
700 1 $aPye, Matilda,$ewriter of added commentary.
700 1 $aSelf, Will,$ewriter of added commentary.
700 1 $aSims, Patterson,$ewriter of added commentary.
710 2 $aAngela Flowers Gallery (London, England)
852 00 $bfaxlc$hN6797.H465$iA4 2017g