MARC Record from marc_columbia

LEADER: 03856cam a2200493Ii 4500
001 13340052
005 20180820123634.0
008 180209s2018 nyua b 001 0 eng d
020 $a9780415347440$qhardcover
020 $a0415347440$qhardcover
020 $z9781315229409$qelectronic book
020 $z1315229404$qelectronic book
024 $a40028263518
035 $a(OCoLC)on1023393900
035 $a(OCoLC)1023393900
035 $a(NNC)13340052
040 $aERASA$beng$erda$cERASA$dOCLCO$dOCLCA$dQGJ$dFNE$dCHVBK$dOCLCO$dYDX
050 4 $aN7480$b.T56 2018
082 04 $a707.2/2$223
082 04 $a111.85
245 00 $aTime in the history of art :$btemporality, chronology, and anachrony /$cedited by Dan Karlholm and Keith Moxey.
264 1 $aNew York, NY :$bRoutledge,$c2018.
300 $aix, 253 pages :$billustrations ;$c26 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aStudies in Art Historiography
504 $aIncludes bibliographical references and index.
505 00 $gIntroduction:$ttelling art's time /$rDan Karlholm and Keith Moxey --$gPart I. Historical time.$g1.$tIs history to be closed, saved, or restarted? considering efficient art history /$rDan Karlholm --$g2.$tWhat time is it in the history of art? /$rKeith Moxey --$gPart II. Post-colonial time.$g3.$tTime processes in the history of the Asian modern /$rJohn Clark --$g4.$tColonial modern: a clash of colonial and indigenous chronologies: the case of India /$rPartha Mitter --$g5.$tArtists, amateurs, and the pleated time of Ottoman modernity /$rMary Roberts --$g6.$tThe time of translation: Victor Burgin and Sedad Eldem in virtual conversation /$rEsra Akcan --$gPart III. Artist's time.$g7.$tArresting what would otherwise slip away: the waiting images of Jacob Vrel /$rHanneke Grootenboer --$g8.$tTwisted time: Fernando Bryce's art of history /$rMiguel Angel Hernández Navarro --$gPart IV. Narrative time.$g9.$tHeterochronies: the gospel according to Caravaggio /$rGiovanni Careri --$gPart V. Ontological time.$g10.$tThe phenomenal sublime: time, matter, image in Mesopotamian antiquity /$rZainab Bahrani --$g11.$tResisting time: on how temporality shaped medieval choice of materials /$rAvinoam Shalem --$g12.$tSarah Sze's The Last Garden and the temporality of wonder /$rChristine Ross --$gPart VI. Photographic time.$g13.$tShowtime and exposure time: the contradictions of social photography and the critical role of sensitive plates for rethinking the temporality of artworks /$rEmmanuel Alloa --$g14.$t"Objects moving are not impressed": reading into the blur /$rAmelia Groom.
520 8 $aAddressed to students of the image--both art historians and students of visual studies--this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.
650 0 $aArt$xHistoriography.
650 0 $aTime and art.
650 0 $aTime in art.
650 7 $aChronologie$2gnd$0(DE-588)4010178-2
650 7 $aKunst$2gnd$0(DE-588)4114333-4
650 7 $aKunstgeschichtsschreibung$2gnd$0(DE-588)4033643-8
650 7 $aZeit$2gnd$0(DE-588)4067461-7
650 7 $aZeit$gMotiv$2gnd$0(DE-588)4207564-6
650 7 $aZeitlichkeit$2gnd$0(DE-588)4134190-9
700 1 $aKarlholm, Dan,$eeditor.$4edt
700 1 $aMoxey, Keith P. F.,$d1943-$eeditor.$4edt
830 0 $aStudies in art historiography.
852 00 $bfaxlc$hN7480$i.T56 2018g