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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-027.mrc:135342223:3163
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-027.mrc:135342223:3163?format=raw

LEADER: 03163cam a2200601Ii 4500
001 13408019
005 20180820124019.0
008 170626t20182018enkaf b 001 0 eng d
020 $a1526117398
020 $a9781526117397
029 1 $aCHVBK$b507856384
029 1 $aCHVBK$b50764672X
029 1 $aCHBIS$b011002564
029 1 $aNLGGC$b41888143X
029 1 $aCHDSB$b006774283
029 1 $aAU@$b000061923785
035 $a(OCoLC)990854067
035 $a(POOF2)15653
035 $a(NNC)13408019
040 $aYDX$beng$erda$cYDX$dCDX$dCHVBK$dCAM$dOCLCO$dUWO$dOCLCF$dNLGGC$dAVA$dOCL
043 $ae-uk---
050 4 $aNX650.S92$bP43 2018
082 04 $a700/.4164094109034$223
100 1 $aPharabod-Ibata, Hélène,$eauthor.
245 14 $aThe challenge of the sublime :$bfrom Burke's Philosophical enquiry to British Romantic art /$cHélène Ibata.
264 4 $c©2018
264 1 $aManchester :$bManchester University Press,$c2018.
300 $axiv, 322 pages, 4 unnumbered pages of plates :$billustrations (some color) ;$c23 cm.
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aSeventeenth- and eighteenth-century studies
504 $aIncludes bibliographical references (pages 301-313) and index.
520 8 $aThis book examines the links between the unprecedented visual inventiveness of the Romantic period in Britain and eighteenth-century theories of the sublime. Edmund Burke's 'Philosophical enquiry into the origin of our ideas of the sublime and beautiful' (1757), in particular, is shown to have directly or indirectly challenged visual artists to explore not just new themes, but also new compositional strategies and visual media such as panoramas and book illustrations, by arguing that the sublime was beyond the reach of painting. More significantly, it began to call into question mimetic representational models, causing artists to reflect about the presentation of the unpresentable and drawing attention to the process of artistic production itself, rather than the finished artwork.
600 14 $aBurke, Edmund.
600 17 $aBurke, Edmund$d1729-1797$tA philosophical enquiry into the origin of our ideas of the sublime and beautiful$2gnd
600 10 $aBurke, Edmund,$d1729-1797.$tPhilosophical enquiry into the origin of our ideas of the sublime and beautiful.
610 27 $aGrossbritannien$2gnd
630 07 $aPhilosophical enquiry into the origin of our ideas of the sublime and beautiful (Burke, Edmund)$2fast$0(OCoLC)fst01357278
648 7 $a1700-1799$2fast
650 0 $aArt, British$y18th century.
650 7 $aRomantik$2gnd
650 0 $aSublime, The, in art.
650 0 $aRomanticism in art.
650 7 $aRezeption$2gnd
650 7 $aArt, British.$2fast$0(OCoLC)fst00816044
650 7 $aKunst$2gnd
650 7 $aDas Erhabene$2gnd
650 7 $aRomanticism in art.$2fast$0(OCoLC)fst01100145
650 7 $aSublime, The, in art.$2fast$0(OCoLC)fst01136596
830 0 $aSeventeenth- and eighteenth-century studies.
852 00 $bfaxlc$hNX650.S92$iP43 2018g