MARC Record from marc_columbia

LEADER: 02153cam a2200421Ii 4500
001 13408965
005 20190121134923.0
008 180227t20182018enka 000 0 eng d
020 $a1909829102$q(hardback)
020 $a9781909829107$q(hardback)
024 $a99977212630
035 $a(OCoLC)on1024112829
035 $a(OCoLC)1024112829
035 $a(NNC)13408965
040 $aYDX$beng$erda$cYDX$dERASA$dBDX$dCDX$dUAB
043 $ae-uk---
050 4 $aNC1807.G7$bL67 2018
082 04 $a741.6/740941$223
100 1 $aLord, Sam,$eauthor.
245 10 $aPoster workshop 1968-1971 /$cby Sam Lord, with Peter Dukes, Jo Robinson and Sarah Wilson ; with a foreword by Jess Baines.
264 1 $aLondon :$bFour Corners Books,$c2018.
264 4 $c©2018
300 $a125 pages :$billustrations (chiefly color) ;$c23 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aFour Corners irregulars ;$vno. 3
520 $aFrom 1968 to 1971, anyone could drop in to the basement in Camden Town and commission a poster from the Poster Workshop. In walked workers on strike, tenants associations, civil rights groups and liberation movements from all over the world. Inspired by the Atelier Populaire, set up in Paris in May 1968, the posters were made quickly to respond to what was needed, on a great number of themes: Vietnam, Northern Ireland, housing, workers rights, and revolution. The Poster Workshop thrived on the energy generated by the belief that huge changes were possible, through movements for equality, civil rights, freedom and revolution. It was an expression of that time - of excitement, change and hope.
650 0 $aPolitical posters$y20th century.
650 0 $aPosters$y20th century.
651 0 $aGreat Britain$xPolitics and government$y20th century.
700 1 $aDukes, Peter,$eauthor.
700 1 $aRobinson, Jo,$eauthor.
700 1 $aWilson, Sarah,$eauthor.
700 1 $aBaines, Jess,$ewriter of foreword.
830 0 $aFour Corners irregulars ;$v3.
852 00 $bfaxlc$hNC1807.G7$iL67 2018g