Record ID | marc_columbia/Columbia-extract-20221130-027.mrc:137469568:3306 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-027.mrc:137469568:3306?format=raw |
LEADER: 03306cam a2200385Ki 4500
001 13409870
005 20180917140029.0
008 180618s2018 ne a 001 0 eng d
020 $a9789462985841$q(paperback)
020 $a9462985847$q(paperback)
020 $z9789048537082$q(eBook)
020 $z9048537088$q(eBook)
035 $a(OCoLC)on1038227960
035 $a(OCoLC)1038227960
035 $a(NNC)13409870
040 $aYDX$beng$erda$cYDX$dERASA$dBDX$dQGJ$dOCLCF$dNNC
050 4 $aP96.S78$bS76 2018
082 04 $a791
245 00 $aStories :$bscreen narrative in the digital era /$cedited by Ian Christie and Annie van den Oever.
264 1 $aAmsterdam :$bAmsterdam University Press,$c[2018].
264 4 $c©2018
300 $a208 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe key debates ;$v7
504 $aIncludes bibliographical references and indexes.
505 00 $g1.$tScreen narrative in the digital era /$rIan Christie and Annie van den Oever --$gPart I - Theory in contemporary contexts: reassessing key questions.$g2.$tStories and storytelling in the era of graphic narrative /$rJan Baetens --$g3.$tRediscovering iconographic storytelling /$rVincent Amiel --$g4.$tWallowing in dissonance: the attractiveness of impossible puzzle films /$rMiklós Kiss and Steven Willemsen --$g5.$t"Storification": or, What do we want psychology and physiology to tell us about screen stories? /$rIan Christie --$g6.$tTransmedia storytelling: new practices and audiences /$rMelanie Schiller --$gPart II - History and analyses.$g7.$tThe endless endings of Michelangelo Antonioni's films /$rJosé Moure --$g8.$tThe film that dreams: about David Lynch's Twin Peaks season 3 /$rDominique Chateau --$g9.$tSpoilers, twists, and dragons: popular narrative after Game of Thrones /$rSandra Laugier --$gPart III - Discussions.$g10.$tStorytelling and mainstream television today - a dialogue /$rJohn Ellis and Annie van den Oever --$g11.$tThe single shot, narration, and creativity in the space of everyday communication /$rRoger Odin --$gPart IV - Practicalities.$g12.$tRewriting Proust: working with Chantal Akerman on La Captive - a dialogue /$rEric de Kuyper and Annie van den Oever --$g13.$tIntroduction to Dickensian: an intertextual universe? /$rIan Christie --$g14.$tThe lives of the characters in Dickensian /$rLuke McKernan --$g15.$tMusic structuring narrative - a dialogue /$rRobert ziegler and Ian Christie.
520 8 $aStories are central drivers of media today - not only do they propel plot-driven entertainment media, such as television, cinema, theatre, but also social media. Telling and having a story is widely deemed essential, both in the large and widely visible world of commerce and in the everyday social lives of individuals. Does this dynamic represent an intensification of what has always been part of culture and civilization, or has it reached a new universality?
650 0 $aStorytelling in mass media.
650 7 $aStorytelling in mass media.$2fast$0(OCoLC)fst01200993
700 1 $aChristie, Ian,$d1945-$eeditor.$4edt
700 1 $aOever, Annie van den,$d1957-$eeditor.$4edt
830 0 $aKey debates ;$v7.
852 00 $bglx$hP96.S78$iS76 2018g