MARC Record from marc_columbia

LEADER: 03200cam a2200481Ki 4500
001 13435334
005 20180917140306.0
008 180730s2017 nyua cb 000 p eng d
019 $a1006584350
020 $a9780884541431
020 $a0884541436
035 $a(OCoLC)on1021024045
035 $a(OCoLC)1021024045$z(OCoLC)1006584350
035 $a(NNC)13435334
040 $aERASA$beng$cERASA$dYDX$dPOETS$dVVPCS$dOCLCF$dTFW$dOCLCO
050 4 $aN6490
082 04 $a700.411
245 00 $aSpeech/acts /$ccurated by Meg Onli ; organized and presented by the Institute of Contemporary Art, Univesrity of Pennsylvania.
246 3 $aSpeech acts
250 $aFirst edition.
264 1 $aNew York, NY ;$aPhiladelphia, PA :$bFuturepoem Books ;$bInstitute of Contemporary Art, University of Pennsylvania,$c[2017]
264 3 $aUnited States :$bShapco Printing Inc.
264 4 $c©2017
300 $a175 pages :$billustrations ;$c19 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition Speech/Acts held at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, September13-December 23. 2017.
500 $aEdition of 1000.
504 $aIncludes bibliographical references.
505 00 $tForeword /$rAmy Sadao --$tAcknowledgements /$rMeg Onli --$tCracks between what we are and what we are supposed to be /$rHarryette Mullen --$tSpeech, acts. /$rMeg Onli --$tFour /$rSimone White --$tBlackness and poetry /$rFred Moten --$tToward a new theory of negro propaganda /$rMorgan Parker.
520 8 $aSpeech/Acts' brings together new and recent works by a generation of artists influenced by black experimental poetry. Recognizing language as a primary method of expressing and maintaining power, these artists use poetry as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated and abstracted. Artists Jibade-Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed and Martine Syms all use experimental poetry in their work as a means to interrogate the power structures of language, rendering the experience of blackness more physically and affectively exact. In this volume, their work is presented alongside their poetic forerunners (seminal texts by Fred Moten and Harryette Mullen are reprinted), newly commissioned poetry by Morgan Parker and Simone White, and a new essay by curator Meg Onli.
650 0 $aExperimental poetry, American$vExhibitions.
650 0 $aAmerican poetry$xAfrican American authors$xInfluence$vExhibitions.
650 0 $aPoetry and the arts$vExhibitions.
650 7 $aExperimental poetry, American.$2fast$0(OCoLC)fst00918464
650 7 $aPoetry and the arts.$2fast$0(OCoLC)fst01746398
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aOnli, Meg,$ecurator.
710 2 $aUniversity of Pennsylvania.$bInstitute of Contemporary Art.
852 00 $boff,fax$hN6490$i.S644 2017g