MARC Record from marc_columbia

LEADER: 03619cam a2200505 i 4500
001 13481166
005 20180917140655.0
008 180809s2018 ilua bc 001 0 eng
010 $a 2018012414
019 $a1005103109
020 $a9780300233872$qhardcover
020 $a0300233876$qhardcover
035 $a(OCoLC)on1029076082
035 $a(OCoLC)1029076082$z(OCoLC)1005103109
035 $a(NNC)13481166
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dYDX$dERASA$dYDX
042 $apcc
043 $ae-gx---
050 00 $aND588.A25$bA4 2018
082 00 $a759.3$223
084 $aART016030$aART015110$aART006000$2bisacsh
245 00 $aTomma Abts /$cedited by James Rondeau and Lekha Hileman Waitoller ; with essays by James Rondeau, Kate Nesin, and Juliane Rebentisch ; accompanying an exhibition organized by Lizzie Carey-Thomas, James Rondeau, and Lekha Hileman Waitoller.
250 $aFirst edition.
264 1 $aChicago, Illinois :$bThe Art Institute of Chicago,$c[2018]
300 $a176 pages :$bcolor illustrations ;$c35 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric. This extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts's work within an art-historical framework of methods, process, and style, but also examine her paintings' philosophical and psychological dimensions and their embodiment of a creative process that transcends the specifics of any particular work. The beautifully designed and illustrated exhibition catalogue examines both the art-historical framework of Tomma Abts's painting as well as its deep philosophical and psychological dimensions. James Rondeau is president and Eloise W. Martin Director of the Art Institute of Chicago. Lizzie Carey-Thomas is head of programs at the Serpentine Galleries in London. Kate Nesin is an independent art historian. Juliane Rebentisch is a professor of philosophy and aesthetics at the Offenbach University of Art and Design in Berlin"--$cProvided by publisher.
500 $a"Tomma Abts was published in conjunction with an exhibition of the same title organized by the Art Institute of Chicago and the Serpentine Galleries."
504 $aIncludes bibliographical references and index.
600 10 $aAbts, Tomma,$d1967-$vExhibitions.
600 17 $aAbts, Tomma,$d1967-$2fast$0(OCoLC)fst01632119
650 0 $aPainting, Abstract$zGermany$vExhibitions.
650 7 $aART / Individual Artists / Monographs.$2bisacsh
650 7 $aART / History / Contemporary (1945-).$2bisacsh
650 7 $aART / Collections, Catalogs, Exhibitions / General.$2bisacsh
650 7 $aPainting, Abstract.$2fast$0(OCoLC)fst01050640
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aRondeau, James,$eeditor,$eauthor.
700 1 $aWaitoller, Lekha Hileman,$eeditor.
710 2 $aArt Institute of Chicago,$eorganizer,$ehost institution.
852 00 $bfaxlc$hND588.A25$iA4 2018