Record ID | marc_columbia/Columbia-extract-20221130-027.mrc:15822348:3828 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-027.mrc:15822348:3828?format=raw |
LEADER: 03828cam a2200445 a 4500
001 13019906
005 20180219161804.0
008 101216s2011 ilua b 001 0 eng
010 $a 2010052460
016 7 $a015831327$2Uk
020 $a9780226907086$q(cloth ;$qalk. paper)
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020 $a0226907090$q(pbk. ;$qalk. paper)
035 $a(OCoLC)ocn666235046
035 $a(OCoLC)666235046
035 $a(NNC)13019906
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dRCJ$dBWX$dCDX$dUKMGB$dMIX$dMST$dBDX$dOCLCF$dOCLCA$dOCLCQ$dOCLCO$dOCLCQ$dCHVBK$dOCLCQ$dIOD$dUX0
042 $apcc
043 $an-us---
050 00 $aKF2979$b.M329 2011
082 00 $a346.7304/8$222
084 $aKN111.G1$bM355 2011$2moys
245 00 $aMaking and unmaking intellectual property :$bcreative production in legal and cultural perspective /$cedited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee.
260 $aChicago :$bUniversity of Chicago Press,$c©2011.
300 $avi, 466 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and indexes.
505 00 $tPatent specification and political representation : how patents became rights /$rMario Biagioli --$tAuthoring an invention : patent production in the nineteenth-century United States /$rKara W. Swanson --$tThe "person skilled in the art" is really quite conventional : U.S. patent drawings and the persona of the inventor, 1870-2005 /$rWilliam J. Rankin --$tCultural agencies : the legal construction of community subjects and their properties /$rRosemary J. Coombe --$tSocial invention /$rMarilyn Strathern --$tFrom "folklore" to "knowledge" in global governance : on the metamorphoses of the unauthored /$rMarc Perlman --$tInventing copyleft /$rChristopher Kelty --$tDesigning cooperative systems for knowledge production : an initial synthesis from experimental economics /$rYochai Benkler --$tBeyond representation : the figure of the pirate /$rLawrence Liang --$tPublishers, privateers, pirates : eighteenth-century German book piracy revisited /$rMartha Woodmansee --$tThe property police /$rAdrian Johns --$tCharacterizing copyright in the classroom : the cultural work of antipiracy campaigns /$rTarleton Gillespie --$tAn economic view of legal restrictions on musical borrowing and appropriation /$rPeter Dicola --$tNew blood, new fruits : protections for breeders and originators, 1789-1930 /$rDaniel J. Kevles --$tKinds, clones, and manufactures /$rAlain Pottage and Brad Sherman --$tNo patent, no generic : pharmaceutical access and the politics of the copy /$rCori Hayden --$tInventing race as a genetic commodity in biotechnology patents /$rJonathan Kahn --$tThe strange odyssey of software interfaces as intellectual property /$rPamela Samuelson --$tInvention, origin, and dedication : republishing women's prints in early modern Italy /$rEvelyn Lincoln --$tTechnological platforms and the layers of patent data /$rTim Lenoir and Eric Giannella --$tIntellectual property norms in stand-up comedy /$rDotan Oliar and Christopher Sprigman --$tPatenting life : how the oncomouse patent changed the lives of mice and men /$rFiona Murray --$tIs there such a thing as postmodern copyright? /$rPeter Jaszi.
650 0 $aIntellectual property$zUnited States.
650 7 $aIntellectual property.$2fast$0(OCoLC)fst00975774
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aGeistiges Eigentum.$0(DE-588)4136832-0$2gnd
651 7 $aUSA.$0(DE-588)4078704-7$2gnd
700 1 $aBiagioli, Mario,$d1955-
700 1 $aJaszi, Peter.
700 1 $aWoodmansee, Martha.
852 00 $bjou$hKF2979$i.M329 2011