MARC Record from marc_columbia

LEADER: 01983cam a2200349Ii 4500
001 13494537
005 20180917140839.0
008 180810s2018 sw a b 000 0dswe d
020 $a9789187968990
020 $a9187968991
035 $a(OCoLC)on1048357442
035 $a(OCoLC)1048357442
035 $a(NNC)13494537
040 $aMZA$beng$erda$cMZA
041 1 $aswe$aeng$hswe
245 04 $aDet universella språket :$befterkrigstidens abstrakta konst = The universal language : post-war abstract art /$credaktör, Kristoffer Arvidsson ; författare, Kristoffer Arvidsson.
246 11 $aUniversal language :$bpost-war abstract art
264 1 $aGöteborg :$bGöteborg Konstmuseum,$c2018.
300 $a532 pages :$billustrations (chiefly color) ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aSkiascope ;$v9
504 $aIncludes bibliographical references.
520 $a"In the post-war decades, abstraction dominated the international art scene. Abstract was synonymous with modern, but abstraction was also regarded as a universal language that had refined art's actual content, consisting of colour and form relationships. On the basis of the exhibition history of Gothenburg Museum of Art, Gothenburg Art Gallery, Moderna Museet, and Liljevalchs Art Gallery for the period 1945-70, Kristoffer Arvidsson explores the concepts of what is national and international, culturally specific and universal in art. Which values and ideas were associated with abstract expression? Why was it so dominant and how could it so suddenly lose its interpretative prerogative in the early sixties?" --Back cover.
546 $aParallel texts in Swedish and English.
650 0 $aAbstract expressionism$zSweden.
700 1 $aArvidsson, Kristoffer.
710 2 $aGöteborgs konstmuseum.
830 0 $aSkiascope ;$v9.
852 80 $bfax$hN8$iSk32 no.9