MARC Record from marc_columbia

LEADER: 03270cam a2200493Ii 4500
001 13038769
005 20180618183725.0
008 170728t20172017nyua cb 000 0 eng d
019 $a1001274847
020 $a9781936192557
020 $a1936192551
029 1 $aAU@$b000061055533
035 $a(OCoLC)995368833
035 $a(POOF2)11301
035 $a(NNC)13038769
040 $aVVPCS$beng$erda$cVVPCS$dOCLCF$dYDX$dMNU
082 04 $a709.1/749270745357$223
090 $aN7265.3$b.N6 2017
245 00 $aNo to the invasion :$bbreakdowns and side effects /$ccontributions by Ahmad Makia [and 10 others]; editor, Fawz Kabra.
260 $aAnnandale-on-Hudson, New York :$bCCS Bard,$c[2017]
264 4 $c©2017
300 $a143 pages :$billustrations (some color) ;$c26 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aArtists: Akram Zaatari, Ala Younis, Ali Cherri, Basim Magdy, Charbel-joseph H. Boutros, Farah Al Qasimi, Fouad Elkoury, Joana Hadjithomas and Khalil Joreige, Jumana Manna, Kader Attia, Kareem Lotfy, Khaldoun Chichakli, Khaled Jarrar, Lara Baladi, Lawrence Abu Hamdan, Maha Maamoun, Marwa Arsanios, Moataz Nasr, Mohammed Kazem, Nohssin Harraki, Mona Hatoum, Sama Alshaibi, Sophia Al-Maria, Taysir Batniji, Thuraya Al-Baqsami, Walid Raad, Yto Barrada.
500 $a"Drawn from the collection of the Sharjah-based Barjeel Art Foundation"--Page 7.
500 $aPublished on the occasion of the exhibition held at the Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, June 24-October 29, 2017.
504 $aIncludes bibliographical references.
505 00 $tForeword /$rTom Eccles --$tBreakdowns and side effects /$rFawz Kabra --$tNo to the invasion: from the archive /$rTarek El-Ariss --$tThe Arabist /$rAhmad Makia --$tPlanning/Non-planning: case studies in destruction, suspension, concealment, and extension /$rMarwa Arsanios --$tThe whistle /$rRawi Hage --$t"So far, I haven't gotten into trouble" /$rSultan Sooud Al-Qassemi in conversation with Thomas Keenan and Fawz Kabra --$tRepair: architecture, reappropriation, and the body repaired /$rKader Attia --$tIntroduction to "The Body, writing in Pain, sits before an intoxicated audience" /$rKhaled Malas --$tThe Body, writhing in Pain, sites before an intoxicated audience /$rSigil Collective --$tReparation of a diluted image /$rAla Younis --$tIn chronological disorder: revisiting histories of invasion /$rMandy Merzaban.
610 20 $aBarjeel Art Foundation$vExhibitions.
610 27 $aBarjeel Art Foundation.$2fast$0(OCoLC)fst01975292
648 7 $a2000-2099$2fast
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 0 $aArt, Middle Eastern$y21st century$vExhibitions.
650 7 $aArt, Arab.$2fast$0(OCoLC)fst00815937
650 0 $aArt, Modern$y21st century$vExhibitions.
650 0 $aArt, Arab$y21st century$vExhibitions.
650 7 $aArt, Middle Eastern.$2fast$0(OCoLC)fst00816611
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aKabra, Fawz,$eeditor.
710 2 $aBard College.$bCenter for Curatorial Studies,$ehost institution.
852 00 $bfaxlc$hN7265.3$i.N6 2017g