MARC Record from marc_columbia

LEADER: 03298pam a2200529 i 4500
001 13003686
005 20180124132258.0
008 170504t20172017ilua b 001 0 eng c
010 $a 2017021802
019 $a973292096$a973372429$a973509218$a973744724$a974268003$a974461070
020 $a9780226483559$qhardcover$qalkaline paper
020 $a022648355X$qhardcover$qalkaline paper
020 $a9780226483696$qpaperback$qalkaline paper
020 $a022648369X$qpaperback$qalkaline paper
020 $z9780226483726$qelectronic book
024 $a40027688214
035 $a(OCoLC)ocn973807178
035 $a(OCoLC)973807178$z(OCoLC)973292096$z(OCoLC)973372429$z(OCoLC)973509218$z(OCoLC)973744724$z(OCoLC)974268003$z(OCoLC)974461070
035 $a(NNC)13003686
040 $aICU/DLC$beng$erda$cCGU$dDLC$dYDX$dBDX$dOCLCO$dOCLCF$dNhCcYBP
042 $apcc
050 00 $aML3800$b.G18 2017
082 00 $a781.1/7$223
100 1 $aGallope, Michael,$eauthor.
245 10 $aDeep refrains :$bmusic, philosophy, and the ineffable /$cMichael Gallope.
264 1 $aChicago :$bThe University of Chicago Press,$c2017.
264 4 $c©2017
300 $a337 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Prelude: a paradox of the ineffable. Schopenhauer's deep copy ; The platonic solutions ; Four dialectical responses (after Nietzsche) -- Bloch's tone. The tone ; The natural klang ; The expressive tone ; Bloch's magic rattle ; The tone's inner ineffability ; The event-forms ; A dialectical account of music history ; Utopian musical speech -- Adorno's musical fracture. Adorno's tone ; Adorno's conception of history ; The tendenz des materials ; Music's language-like ineffability ; The immanent critique ; The paradox of Mahler's vernacular ; The curve of inconsistency -- Interlude: Wittgenstein's silence -- Jankelevitch's inconsistency. Bergson and the inconsistency of time ; The aporetic source of fidelity ; Charm ; Cosmic silence ; Unwoven dialectics -- Deleuze and Guattari's rhythm. Deleuze's rhythm ; The rhythm of sense ; A structuralist quadrivium ; The rhythm of life ; Sonorous co-extensions -- Conclusion: a paradox of the vernacular.
650 0 $aMusic$xPhilosophy and aesthetics.
600 10 $aBloch, Ernest,$d1880-1959$xCriticism and interpretation.
600 10 $aAdorno, Theodor W.,$d1903-1969$xCriticism and interpretation.
600 10 $aJankélévitch, Vladimir$xCriticism and interpretation.
600 10 $aDeleuze, Gilles,$d1925-1995$xCriticism and interpretation.
600 10 $aGuattari, Félix,$d1930-1992$xCriticism and interpretation.
600 17 $aAdorno, Theodor W.,$d1903-1969.$2fast$0(OCoLC)fst00048481
600 17 $aBloch, Ernest,$d1880-1959.$2fast$0(OCoLC)fst00047967
600 17 $aDeleuze, Gilles,$d1925-1995.$2fast$0(OCoLC)fst01427364
600 17 $aGuattari, Félix,$d1930-1992.$2fast$0(OCoLC)fst01427475
600 17 $aJankélévitch, Vladimir.$2fast$0(OCoLC)fst00012478
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
852 00 $bmus$hML3800$i.G18 2017