| Record ID | marc_columbia/Columbia-extract-20221130-027.mrc:3763012:1530 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-027.mrc:3763012:1530?format=raw |
LEADER: 01530pam a2200373 i 4500
001 13003688
005 20180124132258.0
008 170418s2018 ctu b 000 0 eng
010 $a 2017019112
020 $a9780819577634$qhardcover$qalkaline paper
020 $a0819577634$qhardcover$qalkaline paper
024 $a40027688216
035 $a(OCoLC)ocn982090684
035 $a(OCoLC)982090684
035 $a(NNC)13003688
040 $aDLC$beng$erda$cDLC$dBTCTA$dYDX$dOCLCO$dOCLCF$dBDX$dNhCcYBP
042 $apcc
050 00 $aML197$b.E33 2018
082 00 $a780.9/04$223
245 00 $aEight lectures on experimental music /$cedited by Alvin Lucier.
264 1 $aMiddletown, Connecticut :$bWesleyan University Press,$c[2018]
300 $axi, 144 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 0 $aJames Tenney -- Christian Wolff -- Robert Ashley -- Maryanne Amacher -- La Monte Young -- Steve Reich -- Meredith Monk -- Philip Glass.
650 0 $aMusic$y20th century$xHistory and criticism.
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aLucier, Alvin,$eeditor.
776 08 $iOnline version:$tEight lectures on experimental music$dMiddletown, Connecticut : Wesleyan University Press, [2017]$z9780819577641$w(DLC) 2017021187
852 00 $bmus$hML197$i.E33 2018