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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-027.mrc:45922319:3856
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-027.mrc:45922319:3856?format=raw

LEADER: 03856cam a2200541 i 4500
001 13073688
005 20180319132943.0
008 170418t20172017caua bc 000 0 eng
010 $a 2017018921
019 $a981964295
020 $a3791357077$qhardcover
020 $a9783791357072$qhardcover
029 1 $aCHBIS$b011086502
029 1 $aCHVBK$b503180068
029 1 $aAU@$b000059875483
035 $a(OCoLC)982089362
035 $a(POOF2)12114
035 $a(NNC)13073688
040 $aDLC$beng$erda$cDLC$dBTCTA$dYDX$dBDX$dOCLCF$dOCLCO$dERASA$dOHX$dCUY$dOCLCQ$dYDX$dOCLCO$dGZM
042 $apcc
050 00 $aNB1275$b.G63 2017
082 00 $a730.93$223
084 $aART015060$aART026000$2bisacsh
245 00 $aGods in color :$bpolychromy in the ancient world /$cVinzenz Brinkmann, Renée Dreyfus, and Ulrike Koch-Brinkmann, editors ; with contributions by John Camp, Heinrich Piening, Oliver Primavesi.
264 4 $c©2017
264 1 $aSan Francisco :$bFine Arts Museums of San Francisco, Legion of Honor ;$aMunich ;$aNew York :$bDelMonico Books, Prestel,$c2017.
300 $a191 pages :$billustrations (chiefly color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIssued in connection with an exhibition held Oct. 28, 2017-Jan. 7, 2018, Fine Arts Museums of San Francisco, Legion of Honor.
504 $aIncludes bibliographical references.
505 0 $aOn the Polychromy of Ancient Sculpture / Vinzenz Brinkmann and Ulrike Koch-Brinkmann -- Rediscovering Color in Sculpture from Ancient Egypt and the Near East / Renée Dreyfus -- The Discovery of the Polychromy of Greek Sculpture in the Eighteenth Century : Winckelmann's Research on Statutes and Texts / Oliver Primavesi -- A History of Research and Scholarship on the Topic / Vinzenz Brinkmann -- Color and Light : Dodwell and Pomardi in Greece / John Camp -- Ancient Paints and Painting Techniques : Methods of Investigation / Vinzenz Brinkmann, Ulrike Koch-Brinkmann, and Heinrich Piening -- Catalogue.
520 $a"This stunning book uses 21st-century technology to reveal the original colors of ancient sculpture. When Renaissance artists sought to imitate ancient sculpture, their medium of choice was pure, white marble, but little did they know that the works they emulated were originally painted in dazzling and powerful hues-from red ocher and cinnabar to azurite and malachite. By illustrating painted reconstructions of well-known sculptures in relation to original examples, this volume reveals how ancient artists in Egypt, Mesopotamia, the Aegean, Greece, and Rome brought unexpected and breathtaking color to their artworks. Accompanying these reproductions are watercolors of Greece's landscapes dating from different years, which show how our perception of ancient art has changed over time. Generously illustrated, this book testifies that the study of ancient sculpture is incomplete without an understanding of the many ways that color was employed to bring such art to life"--$cProvided by publisher.
650 7 $aSculpture, Classical.$2fast$0(OCoLC)fst01109611
650 7 $aART$xHistory$xAncient & Classical.$2bisacsh
650 7 $aART$xSculpture & Installation.$2bisacsh
650 7 $aPolychromy.$2fast$0(OCoLC)fst01070360
650 7 $aSculpture, Ancient.$2fast$0(OCoLC)fst01109536
650 0 $aSculpture, Ancient$vExhibitions.
650 0 $aPolychromy$vExhibitions.
650 0 $aSculpture, Classical$vExhibitions.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aBrinkmann, Vinzenz,$eeditor.
700 1 $aKoch-Brinkmann, Ulrike,$eeditor.
700 1 $aDreyfus, Renée,$eeditor.
710 2 $aLegion of Honor (San Francisco, Calif.),$eorganizer,$ehost institution.
852 00 $bfaxlc$hNB1275$i.G63 2017