MARC Record from marc_columbia

LEADER: 04374cam a2200793 i 4500
001 13090896
005 20180618184005.0
008 170511t20182018txua b s001 0 eng c
010 $a 2017021809
020 $a9781477315224$q(hardcover ;$qalkaline paper)
020 $a1477315225$q(hardcover ;$qalkaline paper)
020 $a9781477315231$q(paperback ;$qalkaline paper)
020 $a1477315233$q(paperback ;$qalkaline paper)
020 $z9781477315248$q(library electronic book)
020 $z9781477315255$q(nonlibrary electronic book)
024 $a99976524837
035 $a(OCoLC)ocn987070578
035 $a(OCoLC)987070578
035 $a(NNC)13090896
040 $aTxU/DLC$beng$erda$cIXA$dDLC$dOCLCO$dOCLCF$dBDX$dYDX$dOCLCQ$dIKM$dYDX$dOBE$dEAU$dTJC$dBTS$dCOD$dIAY$dVTU$dCUY$dZCU$dUPM
042 $apcc
050 00 $aPN1995.9.N4$bM25 2018
066 $cZsym
082 00 $a791.43/652996073$223
086 $aZ UA380.8 M269wh$2txdocs
100 1 $aMafe, Diana Adesola,$eauthor.
245 10 $aWhere no Black woman has gone before :$bsubversive portrayals in speculative film and TV /$cDiana Adesola Mafe.
250 $aFirst edition.
264 1 $aAustin, TX :$bUniversity of Texas Press,$c2018.
264 4 $c©2018
300 $a173 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 157-164) and index.
505 0 $aIntroduction : to boldly go -- Seeking a friend for the end of the world : 28 Days Later -- Last one standing : Alien vs. Predator -- The black Madonna : Children of Men -- Thank heaven for little girls : Beasts of the Southern Wild -- Intergalactic companions : Firefly and Doctor Who -- Coda : final frontiers.
520 $aWhen Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman has ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e. science fiction, fantasy, and horror) film and television--a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challenging cinema's history of stereotyping or erasing black women on-screen, Where No Black Woman Has Gone Before showcases twenty-first-century examples that portray them as central figures of action and agency--back cover.
650 0 $aWomen, Black, in motion pictures.
650 0 $aWomen on television.
650 0 $aBlacks on television.
650 0 $aSex role in motion pictures.
650 0 $aSex role on television.
650 0 $aScience fiction films$xHistory and criticism.
650 0 $aFantasy films$xHistory and criticism.
650 0 $aHorror films$xHistory and criticism.
650 0 $aScience fiction television programs$xHistory and criticism.
650 0 $aHorror television programs$xHistory and criticism.
650 0 $aFantasy television programs$xHistory and criticism.
650 0 $aMotion pictures$xHistory$y21st century.
650 0 $aTelevision programs$xHistory$y21st century.
650 7 $aBlacks on television.$2fast$0(OCoLC)fst00834035
650 7 $aFantasy films.$2fast$0(OCoLC)fst00920825
650 7 $aFantasy television programs.$2fast$0(OCoLC)fst00920918
650 7 $aHorror films.$2fast$0(OCoLC)fst00960370
650 7 $aHorror television programs.$2fast$0(OCoLC)fst00960449
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aScience fiction films.$2fast$0(OCoLC)fst01108616
650 7 $aScience fiction television programs.$2fast$0(OCoLC)fst01108632
650 7 $aSex role in motion pictures.$2fast$0(OCoLC)fst01114654
650 7 $aSex role on television.$2fast$0(OCoLC)fst01114658
650 7 $aTelevision programs.$2fast$0(OCoLC)fst01147026
650 7 $aWomen, Black, in motion pictures.$2fast$0(OCoLC)fst01905167
650 7 $aWomen on television.$2fast$0(OCoLC)fst01178239
648 7 $a2000-2099$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
880 4 $6264-00$c20
852 00 $bbar$hPN1995.9.N4$iM25 2018
852 00 $bglx$hPN1995.9.N4$iM25 2018