MARC Record from marc_columbia

LEADER: 02989cam a2200409Ii 4500
001 13093360
005 20180523154058.0
008 180223t20172017au a c 000 0deng d
020 $a9783903172166$q(pbk.)
020 $a3903172162
024 3 $a9783903172166
035 $a(OCoLC)on1017094564
035 $a(OCoLC)1017094564
035 $a(NNC)13093360
040 $aOHX$beng$erda$cOHX$dERASA$dJPG$dOCLCF$dNYP$dNNC
041 1 $aeng$hger
050 4 $aN6811.5.L36$bA4 2017
072 7 $aN$2lcco
082 04 $a700.411
100 1 $aLang, Helmut,$d1956-$eartist.
245 10 $aHelmut Lang :$bvarious conditions /$ceditor, Hubert Klocker ; text, Todd von Ammon, Hubert Klocker ; translation, Matthias Goldmann.
246 30 $aVarious conditions :$bHelmut Lang
264 1 $aVienna :$bSchlebrügge.Editor ;$a[Vienna] :$bSammlung Friedrichshof,$c[2017]
264 4 $c©2017
300 $a95 pages :$billustrations (chiefly color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aOn the occasion of the exhibition held at the Sammlung Friedrichshof Stadtraum, Zurndorf, Austria, May - November 2017.
520 8 $aHelmut Lang's sculptures and objects oscillate between figuration and abstraction. They borrow from some forms of classical sculpture (wall reliefs, freestanding sculptures) and ritual objects (idols), which he deconstructs, abstracts and transforms during his artistic work process. Essentially, this is achieved via the radical reduction of form and colour, through decontextualisation, which is based on the variable integration of objects and sculptures into superordinately installative space design, and by the use of predominantly readily available materials such as scrap metal, fabric or industrial waste.0Lang has stated he prefers materials "with a certain history, elements with irreplaceable presence and with scars and memories of a former purpose."0The fabric scraps he moulds with resin into sculptures are, for example, the remains of his archive "Séance de travail," which he shredded in an act of creative destruction in order to generate from it something new.0Lang's dealings with material allows for contextualisations with Vienna Actionism, in which material collages and structural studies of a wide variety of materials play an essential role according to the equation "matter = color." Everything is material and is treated equally, whether it is mud, scrap, food, blood or, as a further consequence, the body.00Exhibition: Sammlung Friedrichshof, Zurndorf, Austria (07.05.?19.11.2017).
600 10 $aLang, Helmut,$d1956-$vExhibitions.
600 17 $aLang, Helmut,$d1956-$2fast$0(OCoLC)fst00435755
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aKlocker, Hubert,$eeditor.
700 1 $aAmmon, Todd von,$ewriter of added text.
710 2 $aSammlung Friedrichshof,$ehost institution.
852 00 $bfaxlc$hN6888.L338$iA4 2017g