MARC Record from marc_columbia

LEADER: 03426cam a2200433Mi 4500
001 13186564
005 20180917135505.0
008 180126s2018 be a c 000 0 eng d
019 $a1021014090
020 $a0300233248
020 $a9780300233247
020 $a9789462301979
020 $a9462301972
035 $a(OCoLC)on1002669824
035 $a(OCoLC)1002669824$z(OCoLC)1021014090
035 $a(NNC)13186564
040 $aYDX$beng$cYDX$dMZA$dGZM$dERASA$dHFL$dAUD$dHTM
050 4 $aNB553.S36$bN53 2018
082 04 $a700.411
100 1 $aSchöffer, Nicolas,$d1912-1992.
245 10 $aNicolas Schöffer :$bspace light time /$cedited by Arnauld Pierre ; with contributions by Sébastien Delot, Pauline Mari, Arnauld Pierre and Dominique Trudel.
246 31 $aSpace light time
264 1 $a[Brussels] :$bMercatorfonds,$c[2018].
300 $a237 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"This publication was published on the occasion of the exhibition Nicholas Schöffer at the LaM Lille Metropole Musée d'art moderne, d'art contemporain et d'art brut, Villeneuve-d'Ascq from 23 February to 20 May 2018."--Colophon.
504 $aIncludes bibliographical references (pages 235-237).
505 00 $gForeword /$rSébastian Delot --$tSurrealism and abstraction /$rArnauld Pierre --$t'Architecture in sculpture' : constructive spatiodynamism /$rArnauld Pierre --$tTowards artificial imagination : robot composers and robot dancers /$rArnauld Pierre --$tSculpture as spectacle /$rArnauld Pierre --$tDream machines /$rArnauld Pierre --$tCybernetic towers and cities /$rArnauld Pierre --$tPrismatic visions /$rArnauld Pierre --$t'Feedback error' : the tribulations of the Cybernetic light tower /$rDominique Trudel --$tThe artificial ideal : Nicolas Schöffer at Cinecittà /$rPauline Mari --$gA descriptive chronology --$gList of exhibitions --$gSelect bibliography.
520 8 $aHungarian-born French artist Nicolas Schoeffer (1912-1992), though relatively unknown today, was during his lifetime a significant presence in the art world. His 1956 piece CYSP 1 is considered the first cybernetic sculpture, making use of motors, microphones, and photo-electric cells to create a work based on feedback loops and responsiveness to its environment. For Schoeffer, cybernetics enabled a crucial artistic exploration of the boundary between the living and the technological. This important reevaluation of Schoeffer's work features sculptures, paintings, and drawings, including unpublished pieces from the artist's studio and archive, as well as documentation of his interdisciplinary and experimental collaborations with architects, musicians, choreographers, scientists, and industrialists. Particular attention is paid to the innovative work he created between 1945 and 1975, which takes on particular resonance in our current, digitally saturated world.
600 10 $aSchöffer, Nicolas,$d1912-1992$vExhibitions.
700 1 $aPierre, Arnauld,$eeditor.
700 1 $aDelot, Sébastien,$econtributor.
700 1 $aMari, Pauline,$econtributor.
700 1 $aPierre, Arnauld,$econtributor.
700 1 $aTrudel, Dominique,$econtributor.
710 2 $aLille métropole musée d'art moderne, d'art contemporain et d'art brut.
852 00 $bfaxlc$hNB553.S36$iN53 2018g