It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-027.mrc:69723938:4453
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-027.mrc:69723938:4453?format=raw

LEADER: 04453cam a2200457Ii 4500
001 13196156
005 20180523154346.0
008 160229s2018 nyuab b 001 0 eng d
020 $a1472478398
020 $a9781472478399$q(hbk)
020 $a9781315167435$q(ebk)
020 $a1315167433$q(ebk)
024 $a40027877214
035 $a(OCoLC)ocn941876762
035 $a(OCoLC)941876762
035 $a(NNC)13196156
040 $aYDXCP$beng$erda$cYDXCP$dBTCTA$dBDX$dOCLCQ$dERASA$dQGJ$dCAM$dOCLCF$dISS$dGZM
050 4 $aNA3390$b.C65 2018
082 04 $a938
245 00 $aColour and light in ancient and medieval art /$cedited by Chloë N. Duckworth, Anne E. Sassin.
264 1 $aNew York ;$aLondon :$bRoutledge,$c2018.
300 $axviii, 198 pages :$billustrations (some color), maps ;$c26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"The origin for this book lies in a session at the 40th Anniversary Conference of the Association of Art Historians, held in the Royal College of Art, Kensington, London, on the 10th-12th April 2014, at which several of the authors who have provided papers for this volume presented"--Acknowledgements.
505 00 $tOn colour and light /$rChloë N. Duckworth and Anne E. Sassin --$g1.$tSymbolic use of colour in Easter Island (Rapa Nui) in its Polynesian context /$rDavid Govantes-Edwards --$g2.$tThe colourful world of metal invention in the 5th millennium BCE Balkans /$rMiljana Radivojević --$g3.$tLate Bronze Age manipulation of light and colour in metal /$rStephanie Aulsebrook --$g4.$tBy the dawn's early light: Colour, light and liminality in the throne room at Knossos /$rKaty Soar --$g5.$tTripping on the fantastic light: Reclaiming the Parthenon Marbles /$rJames Beresford --$g6.$tDivine light through earthly colours: Mediating perception in Late Antique churches /$rVladimir Ivanovici --$g7.$tThe use of colour in Romanesque manuscript illumination /$rAndreas Petzold --$g8.$tLight colour in Portuguese Romanesque churches: The shaping of space /$rJorge Rodrigues --$g9.$tGold, glass and light: The Franciscan vision in representations of the stigmata /$rÉowyn Kerr-Dicarlo --$g10.$tGlints and colours of human inwardness: Bartholomaeus de Bononia's De luce and contemporary preaching /$rFrancesca Galli --$g11.$tLight, the Dominicans and the cult of St. Thomas Aquinas /$rAnthony McGrath --$g12.$tTinted drawing: Translucency, luminosity and lumen vitae /$rSharon Lacey --$g13.$tFrom monochrome to polychrome in historical Persian architecture: A comparative study of light and spatial perception in places of worship /$rMaryam Mahvash --$g14.$tFrom texts to tiles: Sufi colour conceptualization in Safavid Persia /$rIdries Trevathan.
520 8 $aThe myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. It becomes difficult to identify what is universal, and what is culturally specific about the human experience of light and colour. Failing to do so, however, hinders the capacity to approach how they were experienced by people of centuries past. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The papers range in scope from the meaning of colour in European prehistoric art to the technical art of the glazed tiles of the Shah mosque in Isfahan. Their aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.
504 $aIncludes bibliographical references and index.
650 0 $aColor in art.
650 0 $aLight in art.
650 0 $aArt, Ancient.
650 0 $aArt, Medieval.
650 7 $aArt, Ancient.$2fast$0(OCoLC)fst00815925
650 7 $aArt, Medieval.$2fast$0(OCoLC)fst00816576
650 7 $aColor in art.$2fast$0(OCoLC)fst00868563
650 7 $aLight in art.$2fast$0(OCoLC)fst00998552
700 1 $aDuckworth, Chloë N.,$eeditor.
700 1 $aSassin, Anne E.,$eeditor.
852 00 $bfaxlc$hNA3390$i.C65 2018g