Record ID | marc_columbia/Columbia-extract-20221130-027.mrc:80197982:2496 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-027.mrc:80197982:2496?format=raw |
LEADER: 02496cam a2200385 i 4500
001 13214661
005 20180523154801.0
008 170927t20182018enka b 001 0 eng
010 $a 2017046248
020 $a9781108418430$qhardcover
020 $a1108418430$qhardcover
024 $a40028057572
035 $a(OCoLC)on1004126211
035 $a(OCoLC)1004126211
035 $a(NNC)13214661
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dOCLCO$dYDX$dNNC
042 $apcc
050 00 $aNB115$b.A47 2018
082 00 $a730.28/4$223
100 1 $aAnguissola, Anna,$eauthor.
245 10 $aSupports in Roman marble sculpture :$bworkshop practice and modes of viewing /$cAnna Anguissola, Università di Pisa.
264 1 $aCambridge, United Kingdom ;$aNew York, NY, USA :$bCambridge University Press,$c2018.
264 4 $c©2018
300 $axxiii, 255 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 8 $aMachine generated contents note: Part I. Material and history: 1. Narrative and individuality; 2. Supports and Greek marble sculpture; 3. The world of struts; 4. Surface and colour; Part II. The Limits of Stone: 5. The quest for solidity; 6. Statuesque statues; 7. Value and ingenuity; 8. Carving and tradition.
650 0 $aMarble sculpture, Roman.
650 0 $aStruts (Stone carving)
650 7 $aMarble sculpture, Roman.$2fast$0(OCoLC)fst01009000
650 7 $aStruts (Stone carving)$2fast$0(OCoLC)fst01985396
852 00 $bfaxlc$hNB115$i.A47 2018