MARC Record from marc_columbia

LEADER: 04268cam a2200589Ii 4500
001 13231406
005 20181022142254.0
008 180413t20182018enka bc 000 0 eng d
016 7 $a1154501795$2GyFmDB
020 $a9783960983231$q(pbk.)
020 $a3960983239$q(pbk.)
024 3 $a9783960983231
035 $a(OCoLC)on1030914411
035 $a(OCoLC)1030914411
035 $a(NNC)13231406
040 $aOHX$beng$erda$cOHX$dOCLCO$dZYU$dOCLCF
041 0 $aeng$ager
043 $anwjm---$ae-gx---
050 4 $aN6498.V53$bB45 2018
072 7 $aN$2lcco
245 00 $aBeing sad is not a hobby /$cHerausgeber: Fanny Gonella, Pablo Larios.
246 1 $iTitle of exhibition:$aHenning Fehr und Philipp Rühr : Being sad is not a hobby
264 1 $aLondon :$bKoenig Books,$c[2018]
264 4 $c©2018
300 $a173 pages :$billustrations (some color) ;$c24 cm.
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aKataloge für junge Künstler ;$v140
546 $aPreface and 2 contributions in English and German; 3 contributions in English.
500 $aPublished on the occasion of the exhibition Henning Fehr und Philipp Rühr "Being sad is not a hobby," held at Künstlerhaus Bremen, Germany, September 2-November 5, 2017.
500 $aTitle from cover.
504 $aIncludes bibliographical references.
520 8 $aLast year, Henning Fehr and Philipp Rühr became acquainted with the professor for architectural history and theory Elizabeth Pigou-Dennis in Jamaica. Together, they visited Island Village, a shopping centre with entertainment facilities in the city of Ocho Rios on Jamaica's north coast. It mainly plays host to cruise ship tourists and is housed in buildings that display an idiosyncratic interpretation of traditional Jamaican architecture. Six months later, they all travelled to the Düppel Museum Village in Berlin and the Gross Raaden Archaeological Open Air Museum near Rostock. Both sites present replicas of Slavic villages of the 9th and 10th centuries. These three places make up the basis of Henning Fehr's and Philipp Rühr's project for the Künstlerhaus Bremen, which introduces their new video Empty Village as part of an installation. The German and Jamaican villages filmed by the artists consist of approximate reconstructions of historical structures. Their appearance builds on the intention of enabling an authentic experience. Yet they end up confronting tourism with architectural history, self-marketing with identity politics. Over the course of filmed conversations with Elizabeth Pigou-Dennis, the head of the Düppel Museum Village discusses the ways in which, since its founding, the site has incorporated diverse time eras into one architectural ensemble that serves various functions. He evokes actions that occasionally take place there, for example re-enactments of historical occurrences, or regular "living history" performances--an active and educative tool used to convey a sense of the everyday life of the past. The film stages the coexistence of surreal as well as didactic or pragmatic dimensions and recalls the interaction of traces, uncertainties, and memory in historiography. --Museum website.
600 10 $aFehr, Henning,$d1985-$vExhibitions.
600 10 $aRühr, Philipp,$d1986-$vExhibitions.
610 20 $aMuseumsdorf Düppel$vIn art$vExhibitions.
610 20 $aArchäologisches Freilichtmuseum Gross Raden$vIn art$vExhibitions.
610 27 $aMuseumsdorf Düppel.$2fast$0(OCoLC)fst00551303
650 0 $aVideo installations (Art)$vExhibitions.
651 0 $aOcho Rios (Jamaica)$vIn art$vExhibitions.
650 7 $aVideo installations (Art)$2fast$0(OCoLC)fst01747580
651 7 $aJamaica$zOcho Rios.$2fast$0(OCoLC)fst01213270
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aFehr, Henning,$d1985-$eartist.
700 1 $aRühr, Philipp,$d1986-$eartist.
700 1 $aGonella, Fanny,$eeditor.
700 1 $aLarios, Pablo,$eeditor.
710 2 $aKünstlerhaus Bremen,$ehost institution.
830 0 $aKataloge für junge Künstler ;$v140.
852 00 $boff,fax$hN6498.V53$iB45 2018g