MARC Record from marc_columbia

LEADER: 04293cam a2200613 i 4500
001 13243394
005 20180618184645.0
008 160222s2016 ilua b 001 0 eng c
010 $a 2016008502
020 $a9780226129112 (cloth : alk. paper)
020 $a022612911X (cloth : alk. paper)
020 $z9780226129259 (e-book)
024 8 $a40026701606
029 1 $aCHBIS$b010745797
029 1 $aCHVBK$b439151961
029 1 $aCHVBK$b446844829
029 1 $aCHSLU$b001272040
029 1 $aAU@$b000057149432
029 1 $aCHVBK$b504533657
029 1 $aCHDSB$b006764785
035 $a(OCoLC)ocn920017413
035 $a(OCoLC)920017413
035 $a(NNC)13243394
040 $aICU/DLC$beng$erda$cCGU$dDLC$dYDXCP$dBTCTA$dBDX$dOCLCF$dERASA$dYAM$dYDX$dNYP$dUBY$dOBE$dYUS$dCNNGC$dCHVBK$dOCLCO$dGZM$dOCLCA$dUEJ$dTYC$dUAT$dPLDHI$dCOF
042 $apcc
050 00 $aTR692$b.D63 2016
066 $cZsym
082 00 $a770$223
245 00 $aDocumenting the world :$bfilm, photography, and the scientific record /$cedited by Gregg Mitman and Kelley Wilder.
264 1 $aChicago :$bThe University of Chicago Press,$c2016.
300 $a285 pages :$billustrations (some color) ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 259-278) and index.
505 00 $tIntroduction /$rGregg Mitman and Kelley Wilder --$tMoving pictures: photographs on trial in the Sir Roger TIchborne affair /$rJennifer Tucker --$tThe colors of evidence: picturing the past in photography and film /$rPeter Geimer --$tMars in the making: digital documentary practices in contemporary planetary science /$rJanet Vertesi --$tUncertain knowledge: photography and the turn-of-the-century anthropological document /$rElizabeth Edwards --$tA journey without maps: film, expeditionary science, and the growth of development /$rGregg Mitman --$tArchival exposure: disability, documentary, and the making of counternarratives /$rFaye Ginsburg --$tReverse -- cardboard -- print: the materiality of the photographic archive and its function /$rStefanie Klamm --$tPhotographic cataloguing /$rKelley Wilder --$tThe excess of the archive /$rEstelle Blaschke.
520 8 $aImagine the twentieth century without photography and film. Its history would be absent of images that define historical moments and generations: the death camps of Auschwitz, the assassination of John F. Kennedy, the Apollo lunar landing. It would be a history, in other words, of just artists' renderings and the spoken and written word. To inhabitants of the twenty-first century, deeply immersed in visual culture, such a history seems insubstantial, imprecise, and even, perhaps, unscientific. Documenting the World is about the material and social life of photographs and film made in the scientific quest to document the world. Drawing on scholars from the fields of art history, visual anthropology, and science and technology studies, the chapters in this book explore how this documentation from the initial recording of images, to their acquisition and storage, to their circulation has altered our lives, our ways of knowing, our social and economic relationships, and even our surroundings. Far beyond mere illustration, photography and film have become an integral, transformative part of the world they seek to show us.
650 0 $aPhotography$xScientific applications.
650 0 $aPhotography$xScientific applications$xHistory.
650 0 $aPhotography$xHistory.
650 6 $aPhotographie documentaire$xHistoire.
650 6 $aPhotographie$xAspect social.
650 6 $aPhotographie$xApplications scientifiques.
650 6 $aPhotographie$xApplications scientifiques$xHistoire.
650 6 $aPhotographie$xHistoire.
650 7 $aPhotography.$2fast$0(OCoLC)fst01061714
650 7 $aPhotography$xScientific applications.$2fast$0(OCoLC)fst01061824
650 7 $aDokumentarfilm$2gnd$0(DE-588)4012653-5
651 7 $aDokuchayevsk$2gnd$0(DE-588)4802698-0
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aMitman, Gregg,$eeditor.
700 1 $aWilder, Kelley E.$q(Kelley Elizabeth),$d1971-$eeditor.
880 4 $6264-00/Zsym$cý2016
852 00 $bbar$hTR692$i.D63 2016