MARC Record from marc_columbia

LEADER: 03836cam a2200481 i 4500
001 13684370
005 20190520064915.0
008 180618s2019 nyua b 001 0 eng c
010 $a 2018013562
024 $a99980855880
024 $a40028753134
035 $a(OCoLC)on1044768987
040 $aLBSOR/DLC$beng$erda$cDLC$dOCLCF$dOCLCO$dOCLCQ$dYDX$dOCLCO$dNYP
020 $a9780190627027
020 $a0190627026$qpaperback ;$qalkaline paper
020 $a9780190627010$qhardcover ;$qalkaline paper
020 $a0190627018$qhardcover ;$qalkaline paper
035 $a(OCoLC)1044768987
042 $apcc
043 $as-ag---
050 00 $aGV1636.B84$bF67 2019
082 00 $a792.80982/11$223
100 1 $aFortuna, Victoria,$eauthor.
245 10 $aMoving otherwise :$bdance, violence, and memory in Buenos Aires /$cVictoria Fortuna.
264 1 $aNew York, NY :$bOxford University Press,$c[2019]
300 $axvii, 256 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Moving Otherwise examines how contemporary dance practices in Buenos Aires, Argentina enacted politics within climates of political and economic violence from the late 1960s to the present. From the repression of military dictatorships to the precarity of economic crises, contemporary dancers and audiences consistently responded to and reimagined the everyday choreographies that have accompanied Argentina's volatile political history. The central concept, "moving otherwise," names how concert dance - and its offstage practices and consumption - offer alternatives to, and sometimes critique, the patterns of movement and bodily comportment that shape everyday life in contexts marked by violence. Drawing on archival research, interviews, and the author's embodied experiences as a collaborator and performer, the book analyzes a wide range of practices including concert works, community dance initiatives, and the everyday labor that animates dance. It demonstrates how these diverse practices represent, resist, and remember violence and engender social mobilization on and off the theatrical stage. As the first book length critical study of Argentine contemporary dance, it introduces a breadth of choreographers to an English speaking audience, including Ana Kamien, Susana Zimmermann, Estela Maris, Alejandro Cervera, Renate Schottelius, Susana Tambutti, Silvia Hodgers, and Silvia Vladimivsky. It considers previously undocumented aspects of Argentine dance history, including crossings between contemporary dancers and 1970s leftist political militancy, Argentine dance labor movements, political protest, and the prominence of tango themes in contemporary dance works that address the memory of political violence"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aThe dancing body on the line : an introduction -- Mobile bodies -- The revolution was danced -- Dance as the art of survival -- Moving trauma -- Common goods -- Epilogue : the history of memory.
650 0 $aDance$zArgentina$zBuenos Aires$xHistory.
650 0 $aDance$xPolitical aspects$zArgentina$zBuenos Aires.
650 0 $aDance$xSocial aspects$zArgentina$zBuenos Aires.
650 7 $aDance.$2fast$0(OCoLC)fst00887402
650 7 $aDance$xPolitical aspects.$2fast$0(OCoLC)fst00887439
650 7 $aDance$xSocial aspects.$2fast$0(OCoLC)fst00887466
651 7 $aArgentina$zBuenos Aires.$2fast$0(OCoLC)fst01205786
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aFortuna, Victoria.$tMoving otherwise.$dNew York, NY : Oxford University Press, [2019]$z9780190627041$w(DLC) 2018034084
852 00 $bglx$hGV1636.B84$iF67 2019
852 00 $bbar$hGV1636.B84$iF67 2019