MARC Record from marc_columbia

LEADER: 04053cam a2200637 i 4500
001 13697561
005 20190322112225.0
008 190119t20182018gw a bc 000 0deng d
035 $a(OCoLC)on1049791789
040 $aYDX$beng$erda$cYDX$dERASA$dCHVBK$dUKOBU$dOCLCF$dUKMGB$dZYU$dOCLCQ$dOCLCO$dOCL$dOHX$dYDXIT$dUBY$dFDA$dJPG
015 $aGBB8L4500$2bnb
016 7 $a019132826$2Uk
020 $a3960984170$q(hardcover)
020 $a9783960984177$q(hardcover)
035 $a(OCoLC)1049791789
041 0 $aeng$ager
050 4 $aNB955.P63$bS932 2018
082 04 $a730.92$223
082 04 $a700.411
049 $aZCUA
245 00 $aAlina Szapocznikow :$bhuman landscapes = Menschliche Landschaften /$ceditors: Andrew Bonacina, Marta Dziewańska, Luisa Heese ; texts: Kirsty Bell, Marek Beylin, Andrew Bonacina, Marta Dziewańska, Luisa Heese, Griselda Pollock.
246 30 $aHuman landscapes
246 30 $aMenschliche Landschaften
264 1 $aKöln :$bVerlag der Buchhandlung Walther König,$c[2018]
264 4 $c©2018
300 $a212 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at The Hepworth Wakefield, October 21, 2017-January 28, 2018; and Staatliche Kunsthalle Baden-Baden, July 20-October 7, 2018.
504 $aIncludes bibliographical references.
505 00 $tAlina Szapocznikow : human landscapes /$rAndrew Bonacina and Marta Dziewańska --$tMaterial and metaphor : the body in the work of Alina Szapocznikow /$rLuisa Heese --$tAn outsider : the art and life of Alina Szapocznikow /$rMarek Beylin --$tNew York, 1970 : Alina Szapocznikow's missed encounter /$rGriselda Pollock --$tBetween dreams and daily work : notes on Alina Szapocznikow's studio /$rKirsty Bell --$gList of works.
520 $aAlina Szapocznikow created an extensive and expressive oeuvre, in which she was intensively concerned with the human body, right up to her untimely death. In her sculptures, photographs and drawings she divided female bodies in particular into fragments such as lips, breasts, stomachs and limbs, to put them back together again in new ways and to integrate them as traces in her work. Her own body often found its way into the work in the form of casts. Having previously worked with classical materials such as bronze, she began to experiment with new materials such as polyester after arriving in Paris and mixing with the circle of Nouveaux Réalistes artists. With this she revolutionised the expressive possibilities of sculpture. The catalogue traces this artistic development by means of work from between 1954 and 1973, from early figurative sculptures to the 'awkward objects', which are strongly influenced by surrealism and pop art.
546 $aText in English and German.
600 10 $aSzapocznikow, Alina$vExhibitions.
600 17 $aSzapocznikow, Alina.$2fast$0(OCoLC)fst00461837
600 17 $aSzapocznikow, Alina$d1926-1973$2gnd$0(DE-588)121165159
650 0 $aSculpture, Polish$y20th century$vExhibitions.
650 0 $aHuman beings in art$vExhibitions.
650 7 $aHuman beings in art.$2fast$0(OCoLC)fst00962862
650 7 $aSculpture, Polish.$2fast$0(OCoLC)fst01109822
650 7 $aInstallation$gKunst$2gnd$0(DE-588)4131808-0
650 7 $aPlastik$2gnd$0(DE-588)4046277-8
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aBonacina, Andrew,$eeditor,$eauthor.
700 1 $aDziewańska, Marta,$eeditor,$eauthor.
700 1 $aHeese, Luisa,$eeditor,$eauthor.
700 1 $aBell, Kirsty,$eauthor.
700 12 $aSzapocznikow, Alina.$tWorks.$kSelections.
710 2 $aHepworth Wakefield (Gallery),$ehost institution.
710 2 $aStaatliche Kunsthalle Baden-Baden,$ehost institution.
730 02 $aAlina Szapocznikow.
730 02 $aAlina Szapocznikow.$lGerman.
852 00 $bfaxlcn$hNB955.P63$iS932 2018g