| Record ID | marc_columbia/Columbia-extract-20221130-028.mrc:121748823:1652 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:121748823:1652?format=raw |
LEADER: 01652cam a22003373i 4500
001 13717698
005 20190402110959.0
008 190202s2018 gw a 000 0 eng d
035 $a(OCoLC)on1055253436
040 $aYDX$beng$erda$cYDX$dERASA$dOCLCQ$dOHX$dYDXIT$dNNC
020 $a9783960984634$qpaperback
020 $a3960984634$qpaperback
035 $a(OCoLC)1055253436
050 4 $aN6497$b.P67 2018
082 04 $a709.05$223
049 $aZCUA
245 00 $aPost-apocalyptic realism /$ceditors, Tonio Kröner, Laura Preston, Tanya Widmann.
264 1 $aKöln :$bVerlag der Buchhandlung Walther König$c[2018]
300 $a123 pages :$billustrations ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aAccounts of the present suggest that we are living at a time marked by the threat of an impending ultimate catastrophe, whether it be on economic, ecological, or social grounds. The contributions offer different reflections on the relations of subject and world after their fictional, speculative, or factual ends to keep questioning the modes of engagement: In which forms and with what vocabulary shall we narrate ourselves as deconstructed yet active post-apocalyptic subjects?
650 0 $aArt, Modern$y21st century$xThemes, motives.
650 7 $aArt, Modern$xThemes, motives$2fast$0(OCoLC)fst00816663
650 7 $aRealism in art$2fast$0(OCoLC)fst01091231
648 7 $a2000-2099$2fast
700 1 $aKröner, Tonio,$eeditor.
700 1 $aPreston, Laura,$eeditor.
700 1 $aWidmann, Tanya,$eeditor.
852 00 $boff,fax$hN6497$i.P675 2018g