MARC Record from marc_columbia

LEADER: 03005cam a2200469 i 4500
001 13753572
005 20200221132347.0
008 190223t20182018gw a b 001 0 eng d
010 $a 2018951330
035 $a(OCoLC)on1039676128
040 $aYDX$beng$erda$cDLC$dOCLCO$dOCL
020 $a9783110579598
020 $a3110579596
020 $z9783110580785$q(PDF)
020 $z9783110579789$q(EPUB)
035 $a(OCoLC)1039676128
042 $alccopycat
050 00 $aPN1995.9.M472$bM85 2018
082 04 $a791.4301$223
049 $aZCUA
100 1 $aMüller, Cornelia,$d1960-$eauthor.
245 10 $aCinematic metaphor :$bexperience, affectivity, temporality /$cCornelia Müller and Hermann Kappelhoff ; in collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt.
264 1 $aBerlin ;$aBoston :$bDe Gruyter,$c[2018]
264 4 $c©2018
300 $axiv, 279 pages :$billustrations (some colour) ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCinepoetics ;$vvolume 4
504 $aIncludes bibliographical references (pages 249-264) and indexes.
520 8 $aMetaphors in audiovisual media receive increasing attention from film and communication studies as well as from linguistics and multimodal metaphor research. The specific media character of film, and thus of cinematic metaphor, remains, however, largely ignored. Audiovisual images are all too frequently understood as iconic representations and material carriers of information. Cinematic Metaphor proposes an alternative: starting from film images as affective experience of movement-images, it replaces the cognitive idea of viewers as information-processing machines, and heals the break with rhetoric established by conceptual metaphor theory. Subscribing to a phenomenological concept of embodiment, a shared vantage point for metaphorical meaning-making in film-viewing and face-to-face interaction is developed. The book offers a critique of cognitive film and metaphor theories and a theory of cinematic metaphor as performative action of meaning-making, grounded in the dynamics of viewers' embodied experiences with a film. Fine-grained case studies ranging from Hollywood to German feature film and TV news, from tango lesson to electoral campaign commercial, illustrate the framework?s application to media and multimodality analysis.
650 0 $aMetaphor in motion pictures.
650 0 $aSemiotics and motion pictures.
650 7 $aSemiotics and motion pictures.$2fast$0(OCoLC)fst01749474
650 7 $aMetaphor in motion pictures.$2fast$0(OCoLC)fst01018300
700 1 $aKappelhoff, Hermann,$eauthor.
700 1 $aGreifenstein, Sarah,$econtributor.
700 1 $aHorst, Dorothea,$econtributor.
700 1 $aScherer, Thomas,$econtributor.
700 1 $aSchmitt, Christina,$econtributor.
830 0 $aCinepoetics ;$vv. 4.
852 00 $bglx$hPN1995.9.M472$iM85 2018