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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-028.mrc:145030922:3411
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:145030922:3411?format=raw

LEADER: 03411cam a2200661Ii 4500
001 13788598
005 20190424142157.0
008 190308t20182018nyuac b 000 0 eng d
010 $a 2018945655
035 $a(OCoLC)on1043426954
040 $aERASA$beng$erda$cERASA$dOCLCO$dOCLCQ$dJAI$dAZU$dMMX$dOCLCO$dYDXIT$dCAM$dEEM$dOCLCF$dNYP
020 $a9781633450660$qpaperback
020 $a163345066X$qpaperback
035 $a(OCoLC)1043426954
043 $an-us---$an-us-ny
050 4 $aTR820.5$b.M45 2018
050 4 $aTR647$bH47636 2018
050 4 $aTR653$b.M45 2018
082 04 $a770.92$223
082 04 $a779.092$223
049 $aZCUA
100 1 $aMeister, Sarah Hermanson,$eauthor.
245 10 $aDorothea Lange :$bMigrant Mother /$cSarah Hermanson Meister.
264 1 $aNew York, NY :$bThe Museum of Modern Art,$c[2018]
264 2 $aNew York, NY :$bARTBOOK,$c[2018]
264 3 $aTurkey :$bOfset Yapimevi,$c[2018]
264 4 $c©2018
300 $a47 pages :$billustrations (some color), portraits ;$c23 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMoMA one on one series
500 $a"Each volume in the One on One series is a sustained meditaion on a single work from the collection of The Museum of Modern Art"--Front cover, inside flap.
504 $aIncludes bibliographical references (page 46).
520 8 $aThe US was in the midst of the Depression when Dorothea Lange (1895-1965) began documenting its impact through depictions of unemployed men on the streets of San Francisco. Her success won the attention of Roosevelt's Resettlement Administration (later the Farm Security Administration), and in 1935 she started photographing the rural poor under its auspices. One day in Nipomo, California, Lange recalled, she "saw and approached [a] hungry and desperate mother, as if drawn by a magnet." The woman's name was Florence Owens Thompson, and the result of their encounter was seven exposures, including "Migrant Mother." Curator Sarah Meister's essay provides a fresh context for this iconic work.
600 10 $aLange, Dorothea.$tMigrant mother.
600 10 $aLange, Dorothea$xCriticism and interpretation.
610 20 $aMuseum of Modern Art (New York, N.Y.)$xPhotograph collections.
600 17 $aLange, Dorothea.$2fast$0(OCoLC)fst00041940
610 27 $aMuseum of Modern Art (New York, N.Y.)$2fast$0(OCoLC)fst00530348
650 0 $aDocumentary photography.
650 0 $aPortrait photography.
650 0 $aDepressions$y1929$zUnited States$vPictorial works.
650 0 $aPhotography$zNew York (State)$zNew York.
650 7 $aDepressions.$2fast$0(OCoLC)fst00890969
650 7 $aDocumentary photography.$2fast$0(OCoLC)fst00896093
650 7 $aPhotograph collections.$2fast$0(OCoLC)fst01061600
650 7 $aPhotography.$2fast$0(OCoLC)fst01061714
650 7 $aPortrait photography.$2fast$0(OCoLC)fst01072259
651 7 $aNew York (State)$zNew York.$2fast$0(OCoLC)fst01204333
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1929$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aPictorial works.$2fast$0(OCoLC)fst01423874
700 1 $aLange, Dorothea.$tMigrant mother.
830 0 $a1 on one.
852 00 $boff,fax$hTR653$i.M45 2018g