MARC Record from marc_columbia

LEADER: 02040cam a2200361Mi 4500
001 13790321
005 20190312100752.0
008 180202t20182018xna e 000 0 eng
024 $a40028840167
035 $a(OCoLC)on1083065357
040 $aAU@$beng$erda$cAU@$dOCLCO$dYDXIT
020 $a9781760622121$qpaperback
020 $a1760622125$qpaperback
035 $a(OCoLC)1083065357
042 $aanuc
043 $au-at---
050 4 $aPN3014.2$b.C76 2018
082 04 $a792.01/5$223
082 04 $a801.95$223
100 1 $aCroggon, Alison,$d1962-$eauthor.
245 10 $aRemembered presences :$bresponses to theatre /$cAlison Croggon.
264 1 $aStrawberry Hills, NSW :$bCurrency Press,$c2018.
264 4 $c©2018
300 $avii, 305 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aIn 2010, the Guardian named Melbourne critic Alison Croggon as a must read critic, alongside luminaries such as Susan Sontag, James Wood and Pauline Kael. She was the first online critic to be awarded the Geraldine Pascall Critic of the Year, in 2009. Her blog Theatre Notes was the first theatre blog in Australia and, over its eight years of existence, made Croggon the most influential critical voice in Australian performance, with a wide international readership. This long-awaited collection shows why. Including essays and reviews published in a variety of daily papers and literary magazines, as well as Croggon's own blog, Theatre Notes, Remembered Presences is an eye witness account of the 20042012 Australian theatre renaissance, written as it occurred. Searching, challenging and always entertaining, Croggon grapples with the contradictions and delights of writing about performance, an ephemeral artform central to our cultural memory.
650 0 $aTheater$zAustralia$vReviews.
650 0 $aDramatic criticism$zAustralia.
600 10 $aCroggon, Alison,$d1962-
650 0 $aAustralian essays.
852 00 $bglx$hPN3014.2$i.C76 2018