| Record ID | marc_columbia/Columbia-extract-20221130-028.mrc:148543664:3688 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:148543664:3688?format=raw |
LEADER: 03688cam a2200577 i 4500
001 13791452
005 20190313111807.0
008 181129s2018 it af b 001 0 eng d
010 $a 2018445655
035 $a(OCoLC)on1078390656
040 $aItFiC$beng$erda$cDLC$dFNE$dNARDE$dC3L$dGZM$dOCLCF$dMZA$dAUM$dCHVBK$dOCLCO
020 $a9788822265715
020 $a8822265718
029 1 $aZWZ$b233786376
029 1 $aCHVBK$b551277505
029 1 $aCHDSB$b006856312
035 $a(OCoLC)1078390656
042 $alccopycat
043 $ae-it---
050 00 $aND1329.T54$bW33 2018
082 14 $a750
049 $aZCUA
100 1 $aWaddington, Raymond B.,$eauthor.
245 10 $aTitian's Aretino :$ba contextual study of all the portraits /$cRaymond Waddington.
264 1 $aFirenze :$bLeo S. Olschki editore,$cMMXVIII.
300 $aix, 152 pages, 32 pages of plates :$billustrations (chiefly color) ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBiblioteca dell'"Archivum romanicum". Serie 1: Storia, letteratura, paleografia,$x0066-6807 ;$v484
504 $aIncludes bibliographical references (pages 135-146) and index.
520 $aPietro Aretino and Titian were compari. Titian designed author portraits for Pietro, five known painted portraits and two in narrative paintings. All were done in particular situations with intentions varying greatly in purpose and complexity. This study reconstructs these contexts as fully as possible, showing how they determine the concept of each portrait and enhance appreciation of Titian's artistry in revealing different aspects of Aretino's personality and character. After considering the author portraits, the study examines their relationship with Alfonso d' Avalos, who is featured with Aretino in both istorie, The Allocution and the Ecce Homo, in which Pietro appears as Pilate defending Christ. The earliest surviving independent portrait, 1538, represents Aretino as a divinely inspired writer. The 1545 portrait, conceived as one of a pair commemorating his condottiero friend Giovanni de' Medici, has the most complicated context. It was delayed by loss of Giovani's death mask, Titian's failure to do Giovanni's portrait, and further when Pietro's portrait was hidden from the recipient Cosimo I de' Medici. The study concludes with an assessment of their friendship
600 00 $aTitian,$dapproximately 1488-1576$xCriticism and interpretation.
600 10 $aAretino, Pietro,$d1492-1556$xPortraits.
600 17 $aAretino, Pietro,$d1492-1556.$2fast$0(OCoLC)fst00040556
600 07 $aTitian,$dapproximately 1488-1576.$2fast$0(OCoLC)fst01851272
650 0 $aPortrait painting, Italian$y16th century.
650 0 $aPortrait painting, Renaissance$zItaly.
650 0 $aPortraits, Italian$y16th century.
650 7 $aArt and literature.$2fast$0(OCoLC)fst00815400
650 7 $aPortrait painting, Renaissance.$2fast$0(OCoLC)fst01072237
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
600 17 $aVecellio, Tiziano$d1477-1576$2gnd$0(DE-588)118622994
600 17 $aAretino, Pietro$d1492-1556$2gnd$0(DE-588)118650033
650 7 $aBildnismalerei$2gnd$0(DE-588)4145426-1
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aBiblioteca dell'"Archivum Romanicum."$nSerie I,$pStoria, letteratura, paleografia ;$vv. 484.
856 41 $3Table of contents only$uhttp://catdir.loc.gov/catdir/toc/casalini17/4416259.pdf
856 42 $uhttp://ilibri.casalini.it/toc/4416259$zTable of contents
852 00 $boff,fax$hND1329.T54$iW33 2018