MARC Record from marc_columbia

LEADER: 03214cam a2200409Ii 4500
001 13802451
005 20191028122057.0
008 190213t20182018cl ach b 000 0 spa d
035 $a(OCoLC)on1085978657
040 $aSTF$beng$erda$cSTF$dZCU$dH7K$dOCLCO$dOCLCQ$dJPG
020 $a9789561423244
020 $a9561423243
035 $a(OCoLC)1085978657
050 4 $aNE601.4$b.A53 2018
049 $aZCUA
100 1 $aAndaur Labbé, Patricia,$eauthor.
245 10 $aTaller 99 :$bmemoria colectiva del grabado en Chile /$cPatricia Andaur Labbé, Paula Véliz García.
246 30 $aMemoria colectiva del grabado en Chile
264 1 $aSantiago, Chile :$bEdiciones Universidad Católica de Chile,$c[2018]
264 4 $c©2018
300 $a351 pages :$billustrations (chiefly color), facsimiles, portraits ;$c26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 8 $aFundación -- Universidad Católica -- Refundacción -- Melchor Concha -- Zañ 1016 -- Nemesio Antúnez.
520 $aThis book that gathers the activity of Workshop 99 since its creation in 1956, the leading work of Nemesio Antúnez, who aimed to share with the trained artists the main knowledge acquired in France and deepen the different engraving techniques. With the passage of time, the teachings of the workshop expanded to cover all the techniques of engraving and different experiments of the artists, since Antúnez had the good idea of ??creating his workshop with an integrative perspective, which embraced the most varied styles and production techniques that maintain a connection with engraving. In this way, a versatile artistic scene could be configured. On the other hand, through teaching at the School of Art of the Catholic University the workshop influenced the formation of generations of students in the area of ??stamping, developed new methodological strategies for the transmission of knowledge in the area, and contributed Notoriously to the profile of this new school. Likewise, the influence of Workshop 99 was decisive in the recognition of engraving as a specialty option in conjunction with painting and sculpture, and installed Chilean engraving on the international stage opened by biennial engraving. In the context of the 60th anniversary of Workshop 99 of Engraving, the authors address the task of reconstructing their history from the testimonies of many of their founders, artists who have passed through it and current members, aware of the urgency of rescuing a past that could be forgotten and that is part of the memory of Chilean art.
610 20 $aTaller 99 (Providencia, Santiago, Chile)
650 0 $aPrints, Chilean$y21st century.
650 0 $aPrints, Chilean$y20th century.
650 7 $aPrints, Chilean.$2fast$0(OCoLC)fst01076876
610 27 $aTaller 99 (Providencia, Santiago, Chile)$2fast$0(OCoLC)fst01673337
653 $aChilean prints$a20th-21st century$aCatalogs
700 1 $aVéliz García, Paula,$eauthor.
852 00 $bglx$hNE601.4$i.A53 2018g
852 00 $boff,fax$hNE601.4$i.A53 2018g