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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-028.mrc:174006756:5430
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:174006756:5430?format=raw

LEADER: 05430cam a2200397Ii 4500
001 13847679
005 20190506104514.0
008 190418s2019 ctua bc 001 0 eng d
035 $a(OCoLC)on1052869841
040 $aYDX$beng$erda$cYDX$dOCLCQ$dERASA$dYUS$dYDXIT$dFDA$dFSJ
020 $a9780300244281$qhardcover
020 $a0300244282$qhardcover
035 $a(OCoLC)1052869841
043 $an-us-ny
050 4 $aND205$b.F67 2019
082 04 $a759.13$223
049 $aZCUA
245 00 $aFor America :$bpaintings from the National Academy of Design /$cedited by Jeremiah William McCarthy and Diana Thompson.
264 1 $aNew Haven :$bYale University Press,$c2019.
300 $a303 pages :$bcolor illustrations ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aOn the occassion of the exhibition For America: Paintings from the National Academy of Design, organized by the American Federation for the Arts for the National Academy of Design.
504 $aIncludes bibliographical references (pages 280-295) and index.
505 00 $tFor America : An introduction /$rJeremiah William McCarthy and Diana Thompson --$tA first teacher and the resonance of miniature paintings : Samuel F. B. Morse /$rSusan Rather --$tA nation on display : Albert Bierstadt, Frederic Edwin Church, and Asher B. Durand /$rElizabeth A. Spear --$tStephen Westfall on John Frederick Kensett --$tJaune Quick-to-See Smith on Albert Bierstadt --$tAwakened dream : Images of reading and beholding in the work of Daniel Huntington and his contemporaries /$rKenneth Haltman --$tAnthony Panzera on George Inness --$tArtistic friendship in the gilded age : William Marritt Chase, Thomas Eakins, and Henry Ossawa Tanner /$rAkela Reason --$tRobert Kushner on Cecilia Beaux --$tDavid Humphrey on William J. Whittemore --$tIllustration beside painting : Kenyon Cox and Maxfield Parrish /$rJennifer A. Greenhill --$tJohn Moore on Maxfield Parrish --$tPlace and painting on Monhegan Island : George Bellows, Robert Henri, and Reuben Tam /$rKimia Shahi --$tLeslie Wayne on Ernest L. Blumenschein --$tPast and present in the 1920s : Ellen Emmet Rand /$rJonathan Frederick Walz --$tJudith Shea on Ellen Emmet Rand --$tGlenn Goldberg on Peter Hurd --$tBeyond the surface : Hughie Lee-Smith /$rAlonaCooper Wilson --$tSelf-portraiture in a time of outrage : Jane Freilicher /$rAlexander Nemerov --$tBarbara Grossman on Gretna Campbell --$tThe subject is politics : Benny Andrews and May Stevens /$rPatricia Hills --$tFred Wilson on Benny Andrews --$tWalter Chatham on Richard Estes --$tTo paint a figure /$rJeremiah William McCarthy --$tCatherine Opie on George Henry Hall --$tAlexi Worth on Philip Pearlstein --$tFour Americans : David Diao, Louisa Matthiasdóttir, Peter Saul, and Jaune Quick-to-See Smith /$rJarrett Earnest --$tJoyce Kozloff on Jaune Quick-to-See Smith --$tMira Schor on David Diao --$tTom Burckhardt on Peter Saul --$gCatalogue and selected bibliography /$rJeremiah William McCarthy with Pavla Berghen-Wolf.
520 8 $aThis stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nation's oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists' portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted. The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthiasdottir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academicians-visual artists and architects including Walter Chatham, Catherine Opie and Fred Wilson-contribute personal responses to individual artworks.00Exhibition: Dayton Art Institute, Dayton, OH (20.02.-02.06.2019); New Britain Museum of American Art, CT0(07.11.2019-02.02.2020; Society of the Four Arts, Palm Beach, FL (22.02-26.04.2020); The Dixon Gallery and Gardens, Memphis, TN (02.07-27.09.2020); New Mexico Museum of Art, Santa Fe (22.10.2020-17.01.2021); Figge Art Museum, Davenport, IA (20.02.2020-09.05.2021); Crocker Art Museum, Sacramento, CA (06.06.-12.09.2021).
610 20 $aNational Academy of Design (U.S.)$vExhibitions.
650 0 $aPainting, American$y19th century$vExhibitions.
650 0 $aPainting, American$y20th century$vExhibitions.
650 0 $aPainting, American$y21st century$vExhibitions.
650 0 $aArt$zNew York (State)$zNew York$vExhibitions.
700 1 $aMcCarthy, Jeremiah William,$eeditor.
700 1 $aThompson, Diana,$eeditor.
852 00 $bfaxlc$hND205$i.F67 2019g