Record ID | marc_columbia/Columbia-extract-20221130-028.mrc:174917195:5230 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:174917195:5230?format=raw |
LEADER: 05230cam a2200721 i 4500
001 13848139
005 20190419101755.0
008 180625s2018 nz a b 001 0 eng
010 $a 2018439938
024 $a40028732194
035 $a(OCoLC)on1041763784
040 $aNZ1$beng$erda$cNZ1$dKOTUI$dNZAUC$dNTAUP$dUV1$dYDXIT$dDLC$dNZLPP$dOCLCF$dYDX$dOCLCO
019 $a1080555405
020 $a9781988531083$qpaperback
020 $a198853108X$qpaperback
035 $a(OCoLC)1041763784$z(OCoLC)1080555405
042 $anznb
043 $au-nz---
050 4 $aPN1993.5.N45$bC56 2018
082 04 $a791.430993$223
100 1 $aCooper, Annabel,$eauthor.
245 10 $aFilming the colonial past :$bthe New Zealand wars on screen /$cAnnabel Cooper.
246 30 $aNew Zealand wars on screen
264 1 $aDunedin, New Zealand :$bOtago University Press,$c2018.
300 $a322 pages :$billustrations (some colour);$c21 x 25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 301-307) and index.
505 0 $aIntroduction -- Hayward in The Bay of Plenty: The silent Rewi's Last Stand and The Te Kooti Trail -- Hayward in the Waipā: Rewi's Last Stand in the sound era -- Wars in the living room: The Killing of Kane and The Governor -- The Pūhā western: Utu -- Documentary adventures: The New Zealand Wars -- Television histories in uncertain times: Greenstone, Von Tempsky's Ghost and Frontier of Dreams -- Aftermath and memory: In Spring One Plants Alone and Rain of the Children -- Encounter, romance and conflict: River Queen -- Māori creative control and new screens -- Conclusion.
520 $a"The New Zealand Wars were defining events in the nation's history. Filming the Colonial Past, an engaging new book from Annabel Cooper, tells a story of filmmakers' fascination with these conflicts over the past 90 years. From silent screen to smartphone, and from Pākehā adventurers to young Māori songwriters, filmmakers have made and remade the stories of this most troubling past. When Rudall Hayward went to Rotorua, Whakatāne and Te Awamutu to make his two versions of Rewi's Last Stand (1925, 1940) and The Te Kooti Trail (1927), he quickly found that the tangata whenua he relied on for making his films would help to shape the stories. By the time of the renewed interest in the New Zealand Wars in the 1970s and early 80s, thinking about race, nation and empire was undergoing a sea-change. The makers of television drama (including The Governor) and independent film (Geoff Murphy's Utu) set out actively to engage with Māori advisers and performers. In the late 1980s and 90s, screen industry deregulation brought a new set of challenges. Filming the Colonial Past shows how documentaries notably the New Zealand Wars series of 1998 and feature films Vincent Ward's River Queen and Rain of the Children negotiated these hurdles. Meanwhile, Māori working on Pākehā-led productions honed their skills. Today, the growth of Māori creative control, enabled by the diminishing cost of digital media and the expansion of platforms, signals a new era. From these sources come documentaries from Māori perspectives and new ways of exploring the past, from music videos to online histories. Each of these productions is a snapshot of a complex cultural moment"--Publisher information.
611 27 $aNew Zealand Wars (1843-1847)$2fast$0(OCoLC)fst01892472
611 27 $aNew Zealand Wars (1860-1872)$2fast$0(OCoLC)fst01353883
650 0 $aMotion pictures$zNew Zealand$xHistory.
650 0 $aMotion picture industry$zNew Zealand$xHistory.
650 0 $aMotion pictures$xProduction and direction$zNew Zealand$xHistory.
650 0 $aMaori (New Zealand people) in motion pictures$xHistory.
651 0 $aNew Zealand$xIn motion pictures.
651 0 $aNew Zealand$xRace relations$xHistory.
651 0 $aNew Zealand$xHistory$yNew Zealand Wars, 1843-1847.
651 0 $aNew Zealand$xHistory$yNew Zealand Wars, 1860-1872.
650 7 $aToi whakaari.$2reo
650 7 $aKiriata.$2reo
650 7 $aHunga mahi toi.$2reo
650 7 $aKōrero nehe.$2reo
650 7 $aPakanga.$2reo
650 7 $aNoho-ā-iwi.$2reo
650 7 $aNgā Pakanga Whenua o Mua.$2reo
650 7 $aTaipūwhenuatanga.$2reo
650 7 $aColonization.$2fast$0(OCoLC)fst00868483
650 7 $aMaori (New Zealand people)$xWarfare.$2fast$0(OCoLC)fst01008637
650 7 $aMaori (New Zealand people)$xWars.$2fast$0(OCoLC)fst01008638
650 7 $aMotion picture industry.$2fast$0(OCoLC)fst01027150
650 7 $aMotion picture producers and directors.$2fast$0(OCoLC)fst01027225
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures$xProduction and direction.$2fast$0(OCoLC)fst01027357
650 7 $aRace relations.$2fast$0(OCoLC)fst01086509
651 7 $aNew Zealand.$2fast$0(OCoLC)fst01204542
648 7 $a1800-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aMilitary history.$2fast$0(OCoLC)fst01411630
852 00 $bglx$hPN1993.5.N45$iC56 2018