MARC Record from marc_columbia

LEADER: 03552cam a2200445 i 4500
001 13871494
005 20190531134634.0
008 180516t20192019enk b 001 0 eng
010 $a 2018023957
024 $a99980738757
035 $a(OCoLC)ocn980232313
040 $aDLC$beng$erda$cDLC$dOCLCF$dOCLCO$dYDX$dOCLCO$dHTM$dTSC
019 $a980590022$a980656920$a981020325$a981188597$a981687740$a981781200
020 $a9780415662451$qhardcover$qalkaline paper
020 $a0415662451$qhardcover$qalkaline paper
020 $z9780203072400$qelectronic book
035 $a(OCoLC)980232313$z(OCoLC)980590022$z(OCoLC)980656920$z(OCoLC)981020325$z(OCoLC)981188597$z(OCoLC)981687740$z(OCoLC)981781200
041 1 $aeng$hger
050 00 $aPN1664$b.L413 2019
082 00 $a808.2$223
100 1 $aLessing, Gotthold Ephraim,$d1729-1781,$eauthor.
240 10 $aHamburgische Dramaturgie.$lEnglish
245 14 $aThe Hamburg dramaturgy /$cby G.E. Lessing ; a new and complete annotated translation ; translated by Wendy Arons and Sara Figal ; edited by Natalya Baldyga.
264 1 $aMilton Park, Abingdon, Oxon ;$aNew York, NY :$bRoutledge,$c[2019]
264 4 $c©2019
300 $axviii, 450 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and indexes.
505 0 $aA Note on the Original Author -- Missions, Misunderstandings, and Mythologies: The Relationship between the Hamburg Dramaturgy and the Hamburg National Theater / by Natalya Baldyga -- "We have actors, but no art of acting": Performance Theory and Theatrical Emotion in the Hamburg Dramaturgy / by Natalya Baldyga -- The Legacy of the Hamburg Dramaturgy / by Michael M. Chemers.
520 $aWhile eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations - the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767- 69). This collection of 104 short essays represents one of the eighteenth century’s most important critical engagements with the theater and its potential to promote humanistic discourse. Lessing’s essays are an immensely erudite, deeply engaged, witty, ironic, and occasionally scathing investigation of European theatrical culture, bolstered by deep analysis of Aristotelian dramatic theory and utopian visions of theater as a vehicle for human connection. This is the first complete English translation of Lessing's text, with extensive annotations that place the work in its historical context. For the first time, English-language readers can trace primary source references and link Lessing’s observations on drama, theory, and performance not only to the plays he discusses, but also to dramatic criticism and acting theory. This volume also includes three introductory essays that situate Lessing’s work both within his historical time period and in terms of his influence on Enlightenment and post-Enlightenment theater and criticism.
600 00 $aAristotle.$tPoetics.
630 07 $aPoetics (Aristotle)$2fast$0(OCoLC)fst01356362
650 0 $aDrama$xTechnique.
650 7 $aDrama$xTechnique.$2fast$0(OCoLC)fst00897512
700 1 $aArons, Wendy,$d1964-$etranslator.
700 1 $aFigal, Sara Eigen,$d1965-$etranslator.
700 1 $aBaldyga, Natalya,$eeditor.
852 00 $bglx$hPN1664$i.L413 2019