MARC Record from marc_columbia

LEADER: 01869cam a2200361Ii 4500
001 13536481
005 20181022143936.0
008 180422t20182018pau b 000 p eng d
019 $a1031958678$a1032142914
020 $a0822965585$qpaperback
020 $a9780822965589$qpaperback
024 $a40028472726
035 $a(OCoLC)on1032021250
035 $a(OCoLC)1032021250$z(OCoLC)1031958678$z(OCoLC)1032142914
035 $a(NNC)13536481
040 $aYDX$beng$erda$cYDX$dWIM$dYDX$dWIM
050 4 $aPS3603.L36925$bA6 2018
082 04 $a811/.6$223
100 1 $aClark, Tiana,$eauthor.
245 10 $aI can't talk about the trees without the blood /$cTiana Clark.
264 1 $aPittsburgh, Pa. :$bUniversity of Pittsburgh Press ,$c[2018]
264 4 $c©2018
300 $axv, 112 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPitt poetry series
504 $aIncludes bibliographical references.
520 $a"For poet Tiana Clark, trees will never be just trees. They will also and always be a row of gallows from which Black bodies once swung. This is an image that she cannot escape, but one that she has learned to lean into as she delves into personal and public histories, explicating memories and muses around race, elegy, family, and faith by making and breaking forms as well as probing mythology, literary history, her own ancestry, and, yes, even Rihanna. I Can't Talk About the Trees without the Blood, because Tiana cannot engage with the physical and psychic landscape of the South without seeing the braided trauma of the broken past--she will always see blood on the leaves."--Publisher's website.
650 0 $aAmerican poetry$y21st century.
655 7 $aPoetry.$2lcgft
830 0 $aPitt poetry series.
852 00 $bglx$hPS3603.L36925$iA6 2018