MARC Record from marc_columbia

LEADER: 03337cam a2200481Ii 4500
001 13537217
005 20181128145247.0
008 180924t20182018onca bc 000 0 eng d
020 $a9781926589978$q(paperback)
020 $a1926589971$q(paperback)
035 $a(OCoLC)on1043468221
035 $a(OCoLC)1043468221
035 $a(NNC)13537217
040 $aERASA$beng$erda$cERASA$dLTSCA$dOCLCF$dCDX$dUAB
043 $an-cn---
050 4 $aN6545.6$b.G55 2018
055 3 $aN6545.6$bG62 2018
082 04 $a700.411
082 04 $a709.71$223
245 00 $aGlimmers of the radiant real /$ccurated by Ruth Jones and Sam Mogelonsky.
264 1 $aOshawa, ON :$bThe Robert McLaughlin Gallery ;$aPeterborough, ON :$bArt Gallery of Peterborough ;$aLondon, ON :$bMcIntosh Gallery,$c[2018]
264 2 $aMontréal, Québec :$bdistributed by ABC, Art Book of Canada
264 4 $c©2018
300 $a83 pages :$bcolor illustrations ;$c23 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Katie Bethune-Leamen, Broadbent Sisters, Daniel Griffin Hunt, Sanaz Mazinani, Sandy Plotnikoff, Mary Pratt, Cole Swanson, Catherine Telford-Keogh, Xiaojing Yan."
500 $aA catalog of the exhibitions held at The Robert McLaughlin Gallery, May 12 to September 16, 2018, Art Gallery of Peterborough, October 13, 2018, to January 6, 2019, and at the McIntosh Art Gallery, January 17 to March 16, 2019.
520 $aWorking in materials such as gold, glass, foil and plastic, nine artists create works that glimmer, sparkle and shine, revealing far more than their surface value. Radiance, that quality of light so often associated with the marvelous and the modern, is subverted in these works by the relationship between the quality of a surface and what it covers, reflects, or contains: gilded insect wings sketch a house's morbid geography, material treatments upend expectations of form and colour, and dollar-store detritus, sunk in resin, seems to glow behind glass, and more. These glistening, shining surfaces manipulate the viewer's perception of dimension through reflections and refractions, un-forming the object. The combination of familar materials and perceptual distortion, the mirrored illusion of extended space, the fracturing and projection of the viewer's body, and rainbow refractions of white gallery light all work to create an uncertaintly about the realiity of the experience. Underlying the physical perceptions of the works are aesthetic associations ranging from glamour to kitsch, celebration to science.
650 0 $aArt, Canadian$y21st century$vExhibitions.
650 0 $aArt, Canadian$y21st century$vCatalogs.
650 7 $aArt, Canadian.$2fast$0(OCoLC)fst00816079
648 7 $a2000-2099$2fast
655 7 $aCatalogs.$2fast$0(OCoLC)fst01423692
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aJones, Ruth,$d1984-$ecurator.
700 1 $aMogelonsky, Sam,$d1983-$ecurator.
710 2 $aRobert McLaughlin Gallery,$ehost institution,$eissuing body.
710 2 $aArt Gallery of Peterborough (Ont.),$ehost institution,$eissuing body.
710 2 $aMcIntosh Art Gallery,$ehost institution,$eissuing body.
852 00 $boff,fax$hN6545.6$i.G55 2018g