MARC Record from marc_columbia

LEADER: 01832cam a2200337 i 4500
001 13502744
005 20181218121943.0
008 180111s2018 enkaf b 001 0beng d
020 $a9780571330164$qhardback
020 $a0571330169$qhardback
024 $a99977599594
035 $a(OCoLC)1029479897
035 $a(OCoLC)on1029479897
035 $a(NNC)13502744
040 $aERASA$beng$erda$cERASA$dNhCcYBP
043 $ae-fr---
050 4 $aML410.D28$bW35 2018
082 04 $a780.92$223
100 1 $aWalsh, Stephen,$d1942-$eauthor.
245 10 $aDebussy :$ba painter in sound /$cStephen Walsh.
264 1 $aLondon :$bFaber & Faber Limited,$c2018.
300 $ax, 358 pages, 8 unnumbered pages of plates ;$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 8 $aClaude Debussy was that rare creature, a composer who reinvented the language of music without alienating the majority of music lovers. He is the modernist everyone loves. How did he manage this? Was it through the association of his music with visual images, or was it simply that, by throwing out the rule book of the Paris Conservatoire where he studied, his music put beauty of sound above the spiritual ambitions of the German tradition from which those rules derived. Stephen Walsh's thought-provoking biography, told partly through the events of Debussy's life, and partly through a critical discussion of his music, addresses these and other questions about one of the most influential composers of the early twentieth century.
600 10 $aDebussy, Claude,$d1862-1918.
650 0 $aComposers$zFrance$vBiography.
852 00 $bmus$hML410.D28$iW35 2018g