MARC Record from marc_columbia

LEADER: 02264cam a2200469Ii 4500
001 13897270
005 20190725091658.0
008 190601t20192019gw ac bc 000 0dger d
035 $a(OCoLC)on1102533816
040 $aOHX$beng$erda$cOHX$dJPG
016 7 $a1174806303$2DE-101
020 $a9783868325157$q(paperback)
020 $a3868325158
024 3 $a9783868325157
035 $a(OCoLC)1102533816
041 0 $ager$aeng
050 4 $aND588.B38$bA4 2019
072 7 $aN$2lcco
049 $aZCUA
245 00 $aBananensprayer :$bThomas Baumgärtel 2008-2018 /$cherausgegeben von Meinrad Maria Grewenig ; Autoren: Andrea Brandl [and six others].
246 30 $aThomas Baumgärtel 2008-2018
264 1 $aKöln :$bWienand,$c[2019]
264 4 $c©2019
300 $a415 pages :$billustrations (chiefly color), portraits ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aChiefly illustrated
504 $aIncludes bibliographical references.
546 $aParallel texts in German and English.
585 $aCatalog of an exhibition held at Conny Dietzschold Gallery, Sydney, February 9-23, 2019 [and twenty-four other locations].
520 $aThe banana ? a statement, his weapon: it is Thomas Baumgärtel?s commendation for galleries and other art venues. As one of the first street artists in Germany, the Cologne-based painter has been using his banana stencil as a universal tool for more than thirty years now. Baumgärtel also manipulates the past by transforming ?old masters? or three-dimensional objects with his templates and textual messages. In doing so, he points to painful aspects of contemporary society.
600 10 $aBaumgärtel, Thomas,$d1960-$vExhibitions.
650 0 $aBananas in art$vExhibitions.
700 12 $aBaumgärtel, Thomas,$d1960-$tWorks.$kSelections.
700 1 $aGrewenig, Meinrad Maria,$d1954-$eeditor.
700 1 $aBrandl, Andrea,$ewriter of supplementary textual content.
710 2 $aConny Dietzschold Gallery (Sydney, Australia),$ehost institution.
730 02 $aBananensprayer.
730 02 $aBananensprayer.$lEnglish.
852 00 $boff,fax$hND588.B384$iA4 2019g