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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-028.mrc:212661290:4989
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:212661290:4989?format=raw

LEADER: 04989cam a2200469 i 4500
001 13912134
005 20190614102528.0
008 181216s2019 enk b 001 0 eng c
010 $a 2018039396
024 $a99980994706
035 $a(OCoLC)on1049298416
040 $aLBSOR/DLC$beng$erda$cDLC$dOCLCO$dOCLCF$dUKMGB$dUKOBU$dYDX
020 $a9781138369573$qhardcover$qalkaline paper
020 $a1138369578$qhardcover$qalkaline paper
020 $a9781138369597$qpaperback$qalkaline paper
020 $a1138369594$qpaperback$qalkaline paper
020 $z9780429428579$qelectronic book
020 $z9780429767395$qelectronic publication
020 $z9780429767401$qelectronic book
020 $z9780429767388$qMobipocket electronic book
035 $a(OCoLC)1049298416
042 $apcc
050 00 $aPN56.T685$bS73 2019
082 00 $a809$223
100 1 $aStam, Robert,$d1941-$eauthor.
245 10 $aWorld literature, transnational cinema, and global media :$btowards a transartistic commons /$cRobert Stam.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge, an imprint of the Taylor & Francis Group,$c2019.
300 $ax, 275 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema and media studies. Orchestrating a layered conversation between arts, disciplines, and media, Stam argues for their "mutual embeddedness" and their shared "in-between" territories. Rather than merely add to the existing scholarship, the book builds a relational framework through the connectivities within literature, cinema and media that opens up analysis to new categories and concepts, whilst crossing spatial, temporal, theoretical, disciplinary, and mediatic borders. The book also questions an array of hierarchies: literature over cinema; source novel over adaptation; feature film over documentary; erudite over vernacular culture; western modernisms over "peripheral" modernisms; classical over popular music; written poetry over sung poetry, and so forth. The book is structured around the concept of the "Commons," forming a strong thread which links various struggles against "enclosures" of all kinds, with emphasis on natural, indigenous, cultural, creative, digital, and the transdisciplinary commons. World Literature, Transnational Cinema, and Global Media is ideal to further the theoretical discussion for those undergraduate and graduate departments in cinema studies, media studies, arts and art history, communications, journalism, and new digital media programs at all levels"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : the terms of debate -- Goethe and Weltliteratur -- The theory of world literature -- From world literature to alternative modernisms -- The cosmopolitanism of the periphery -- Columbus, el nuevo mundo, and postcolonial studies -- French postcoloniality and literature-monde -- Sibling disciplines : literary studies and cinema studies -- From literature to film : a study in ambivalence -- The cinema and the canon -- The gains of (film) translation -- Adaptation and cultural estrangement -- Adaptation, remix, and the cultural commons -- The international pre-history of world cinema -- The emergence of world cinema -- Transartistic convergences in the musical commons -- Musical transmediality in the global south -- The transnational turn -- Transnational cinema -- The coefficient of transnationality -- Transnational reception, gender, and aesthetics -- Transnational film schools and pedagogy -- Minor cinema, the indigene, and the state -- The rise of the "woods" : from Hollywood to Nollywood via Bollywood -- Globalization, political economy, and the media -- Acquatic tropologies -- Technologies of intermedial flow -- Globalization : mediatic resistance -- Transoceanic currents : the red, black, and white Atlantic -- Global indigeneity and the transnational gaze -- The media"s "deep time" and the planetary commons -- The commons and the globalized citizen -- Terminological reflections -- Toward a "trans" methodology.
650 0 $aLiterature and transnationalism.
650 0 $aMotion pictures and transnationalism.
650 0 $aMass media and globalization.
650 7 $aLiterature and transnationalism.$2fast$0(OCoLC)fst01762400
650 7 $aMass media and globalization.$2fast$0(OCoLC)fst01748085
650 7 $aMotion pictures and transnationalism.$2fast$0(OCoLC)fst01747307
776 08 $iOnline version:$aStam, Robert, 1941- author.$tWorld literature, transnational cinema, and global media$dLondon ; New York : Routledge, 2019$z9780429428579$w(DLC) 2019000675
852 00 $bglx$hPN56.T685$iS73 2019