MARC Record from marc_columbia

LEADER: 02539cam a2200433 i 4500
001 13913587
005 20190621144935.0
008 190617t20182018nyua bc 000 0 eng c
035 $a(OCoLC)on1083627432
040 $aERASA$beng$erda$cERASA$dJPG$dOCLCF
020 $a9781938748639
020 $a1938748638
035 $a(OCoLC)1083627432
042 $apcc
050 4 $aN6797.B794$bA4 2018
082 04 $a700.411
049 $aZCUA
130 0 $aGlenn Brown (Gagosian Gallery (London, England))
245 10 $aGlenn Brown :$bcome to dust.
246 30 $aCome to dust
264 1 $aLondon :$bGagosian,$c[2018]
264 4 $c©2018
300 $a209 pages :$bcolor illustrations ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of an exhibition held at Gagosian (20 Grosvenor Hill), London, from January 24-March 17, 2018.
505 0 $aFrom 'Cymbeline' / William Shakespeare -- Frà Pandolf's hand / Hari Kunzru -- Glenn Brown and Xavier Bray in conversation.
520 8 $aFor Brown, one of Britain's most renowned contemporary artists, the past and present are treasuries of raw material, offering countless images, titles, and techniques to be combined, appropriated, and deconstructed. Mining an extensive knowledge of art history, as well as of literature, music, and popular culture, Brown creates complex and sensuous works of art that are resolutely of our time. The title of exhibition, taken from a song in Shakespeare's play Cymbeline, evokes the ineluctability of death. The exhibition, comprising oil paintings, drawings in period frames, grisaille panel works, etchings, and sculptures, attests to the ever-intensifying dexterity with which Brown employs paint, content, and form. It teems with contrasts and contradictions, collapsing time, and allowing different, often opposing, references to exist simultaneously.
504 $aIncludes bibliographical references (pages 202-209).
600 10 $aBrown, Glenn,$d1966-$vExhibitions.
600 17 $aBrown, Glenn,$d1966-$2fast$0(OCoLC)fst00355553
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $iContainer of (work):$aBrown, Glenn,$d1966-$tWorks.$kSelections.
700 1 $aKunzru, Hari,$d1969-$econtributor.
700 1 $aBray, Xavier,$einterviewer.
710 2 $aGagosian Gallery (London, England),$ehost institution,$eissuing body.
852 00 $boff,fax$hN6797.B794$iA4 2018g