MARC Record from marc_columbia

LEADER: 04035cam a2200697Ii 4500
001 13948689
005 20200225090258.0
008 190619s2019 fluaco f bc 000 0deng d
035 $a(OCoLC)on1102600537
040 $aERASA$beng$erda$cERASA$dIG$$dOCLCF$dBRL
020 $a9780996690638$q(hardcover)
020 $a0996690638$q(hardcover)
035 $a(OCoLC)1102600537
041 0 $aeng
050 4 $aNB237.A25$bA4 2019
082 04 $a731.092$223
049 $aZCUA
100 1 $aAdkins, Terry,$d1953-2014,$eartist.
245 10 $aTerry Adkins :$binfinity is always less than one /$ceditors: Alex Gartenfeld, Gean Moreno.
246 30 $aInfinity is always less than one
264 1 $a[Miami, Florida] :$bInstitute of Contemporary Art, Miami,$c2019.
264 2 $aDurham, North Carolina :$bDistributed by Duke University Press.
264 3 $aBruges, Belgium :$bdie Keure.
264 4 $c©2019.
300 $a207 pages :$bcolor illustrations, portraits, photographs ;$c30 cm
336 $atext$2rdacontent
336 $astill image$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 0 $a"One of the great conceptual artists of the twenty-first century, Terry Adkins (1953-2014) was renowned for his pioneering work across mediums, from sculpture, drawing, and site-specific installation to photography, video, and performance. 'Terry Adkins: Infinity is Always Less Than One' accompanies the first institutional posthumous exhibition of Adkins's sculptural production. While Adkins is often recognized for his musical and performative practice, this exhibition focuses on his complex memorials and monuments to historical figures. The exhibition showcases four of his major series, dedicated to four distinct figures: Bessie Smith, John Brown, Zora Neale Hurston, and Jimi Hendrix. These series are presented alongside a group of early sculptures to reveal the development of Adkins' mature practice."$c--publisher's description.
504 $aIncludes bibliographical references.
518 $o"Terry Adkins: Infinity is Always Less Than One" :$dMay 17-September 23, 2019,$pthe Institute of Contemporary Art, Miami, Florida, United States.
546 $aText in English.
600 10 $aAdkins, Terry,$d1953-2014$vExhibitions.
600 10 $aAdkins, Terry,$d1953-2014$xCriticism and interpretation.
600 10 $aAdkins, Terry,$d1953-2014$xThemes, motives.
650 0 $aConceptual art$zUnited States$y20th century$vExhibitions.
650 0 $aConceptual art$zUnited States$y21st century$vExhibitions.
650 0 $aInstallations (Art)$y21st century$vExhibitions.
650 0 $aAfrican American sculpture$zPennsylvania$zPhiladelphia$y20th century$vExhibitions.
650 0 $aAfrican American sculpture$zPennsylvania$zPhiladelphia$y21st century$vExhibitions.
650 0 $aSculpture, Abstract$zUnited States$y20th century$vExhibitions.
650 0 $aSculpture, Abstract$zUnited States$y21st century$vExhibitions.
650 0 $aAfrican American artists$zPennsylvania$zPhiladelphia$y20th century$vExhibitions.
650 0 $aAfrican American artists$zPennsylvania$zPhiladelphia$y21st century$vExhibitions.
600 17 $aAdkins, Terry,$d1953-2014.$2fast$0(OCoLC)fst00421810
650 7 $aConceptual art.$2fast$0(OCoLC)fst00872980
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
655 7 $aEssays.$2lcgft
655 7 $aIllustrated works.$2lcgft
700 12 $aAdkins, Terry,$d1953-2014.$tWorks.$kSelections.
700 1 $aGartenfeld, Alex,$eeditor,$ecurator,$eauthor.
700 1 $aMoreno, Gean,$d1972-$eeditor,$ecurator,$eauthor.
700 1 $aMercer, Kobena,$d1960-$eauthor.
700 1 $aShaked, Nizan,$eauthor.
700 1 $aTate, Greg,$eauthor.
710 2 $aInstitute of Contemporary Art, Miami,$eissuing body,$epublisher,$eorganizer,$ehost institution.
752 $aUnited States$bFlorida$dMiami.
852 00 $boff,fax$hNB237.A335$iA4 2019g
852 00 $bglx$hNB237.A25$iA4 2019g