MARC Record from marc_columbia

LEADER: 03791cam a2200601 i 4500
001 13553299
005 20181128145544.0
008 181004s2018 dcuac bc f001 0 eng
010 $a 2018021505
020 $a9780300236736$q(hardcover)
020 $a0300236735
035 $a(OCoLC)on1024157526
035 $a(OCoLC)1024157526
035 $a(NNC)13553299
040 $aDGPO/DLC$beng$erda$cDLC$dOCLCO$dGPO$dOCLCF$dOCLCO$dERASA$dQGJ$dTOH$dNYP$dCAM$dNNC
042 $apcc
043 $ae-fr---
050 00 $aND553.C8$bM68 2018
082 04 $a759.4$223
086 0 $aSI 8.2:C 81
100 1 $aMorton, Mary G.,$eauthor.
245 10 $aCorot :$bwomen /$cMary Morton, David Ogawa, Sébastien Allard, Heather McPherson.
250 $a1st edition.
264 1 $aWashington :$bNational Gallery of Art ;$aNew Haven and London :$bIn association with Yale University Press,$c[2018]
264 4 $c©2018
300 $a179 pages ;$billustrations (chiefly color), portraits ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aExhibition dates: National Gallery of Art, Washington, September 9-December 31, 2018.
504 $aIncludes bibliographical references (pages 172-175) and index.
520 $aUnited here for the first time, the paintings of women by Jean-Baptiste-Camille Corot (1796-1875) constitute a small but stunning and important body of work. Corot: Women offers a new appraisal of these intriguing figures by one of the nineteenth century's great masters of landscape. The women painted by Corot read, dream, and gaze at the viewer, conveying an independent spirit and a sense of their inner lives. Corot's handling of color and his deft, delicate touch applied to the female form resulted in pictures of quiet majesty. Although these paintings constitute a relatively small and little-known portion of his oeuvre, they were of great importance to the founders of modernist painting, including Paul Cézanne, Pablo Picasso, and Georges Braque. This publication features more than forty paintings by Corot--from the single-figure bust and full-length images of the 1840s through the 1860s nudes and his allegorical series devoted to the model in the studio. Essays by leading experts address Corot's debt to the old masters and the impact of his pictures on both nineteenth- and twentieth-century painting, the relationship of his figural work to his more famous landscape practice, his response to the shifting social position of artists' models, and the incursion of photography into artistic practice in the Second Empire and early Third Republic--Provided by publisher.
542 $cBoard of Trustees, National Gallery of Art$fCopyright$g2018
600 10 $aCorot, Jean-Baptiste-Camille,$d1796-1875$vExhibitions.
600 10 $aCorot, Jean-Baptiste-Camille,$d1796-1875$xThemes, motives$vExhibitions.
600 17 $aCorot, Jean-Baptiste-Camille,$d1796-1875.$2fast$0(OCoLC)fst00006738
650 0 $aWomen in art$vExhibitions.
650 0 $aNude in art$vExhibitions.
650 0 $aPainting, French$y19th century$vExhibitions.
650 0 $aIllustrated books.
650 7 $aPainting, French.$2fast$0(OCoLC)fst01050830
650 7 $aWomen in art.$2fast$0(OCoLC)fst01177826
650 7 $aART / General.$2bisacsh
648 7 $a1800-1899$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aOgawa, David,$eauthor.
700 1 $aAllard, Sébastien,$eauthor.
700 1 $aMcPherson, Heather,$eauthor.
710 2 $aNational Gallery of Art (U.S.),$epublisher.
710 2 $aYale University Press,$epublisher.
852 00 $bfaxlcn$hND553.C8$iM68 2018