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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-028.mrc:31763094:3545
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:31763094:3545?format=raw

LEADER: 03545cam a2200649I 4500
001 13561298
005 20181128145823.0
008 181011s2018 enka 000 0 eng d
019 $a1019666762
020 $a9781849765756
020 $a1849765758
020 $a9781849765763
020 $a1849765766
029 1 $aAU@$b000062227620
035 $a(OCoLC)on1019666414
035 $a(OCoLC)1019666414$z(OCoLC)1019666762
035 $a(NNC)13561298
040 $aERASA$beng$cERASA$dQGJ$dNZAUC$dOCLCO$dVA@$dCOD$dFXM$dUKTTE$dOCLCF
050 4 $aN6853.P5$bA4 2018
080 $aPICASS
082 04 $a709.04
100 1 $aPicasso, Pablo,$d1881-1973,$eartist.
245 10 $aPicasso 1932 :$blove, fame, tragedy : the EY exhibition /$cedited by Achim Borchardt-Hume and Nancy Ireson ; with contributions by T. J. Clark, Neil Cox, Laurence Madeline, Alma Mikulinsky and Diana Widmaier Picasso.
246 30 $aLove, fame, tragedy
246 30 $aEY exhibition
260 $aLondon :$bTate Publishing,$c2018.
300 $a267 pages :$billustrations (some color) ;$c26 cm.
336 $astill image$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the EY Exhibition, Picasso 1932, at the Musée national Picasso, Paris, October 10, 2017 - February 11, 2018 and at Tate Modern, London, March 8 - September 9, 2018.
520 8 $a1932 was an extraordinary year for Picasso, even by his own standards. His paintings reached a new level of sensuality and he cemented his status as the most influential artist of the time. Over the course of this year he created some of his best-loved works, from colour-saturated portraits to surrealist drawings, developing ideas from the voluptuous sculptures he had made at his newly acquired country estate. In his personal life, throughout 1932, Picasso kept a delicate balance between tending to his wife Olga Khokhlova and their son Paulo, and his passionate love affair with Marie-Therese Walter, twenty-eight years his junior. This publication will bring these complex artistic and personal dynamics to life. Exhibition: Tate Modern, London, UK (08.03.-09.09.2018).
504 $aIncludes bibliographical references (pages 248-256) and index.
600 14 $aPicasso, Pablo,$d1881-1973
600 10 $aPicasso, Pablo,$d1881-1973$vExhibitions.
600 10 $aPicasso, Pablo,$d1881-1973$xCriticism and interpretation.
600 17 $aPicasso, Pablo,$d1881-1973.$2fast$0(OCoLC)fst00028123
650 0 $aArt, Abstract$vExhibitions.
650 0 $aCubism$vExhibitions.
650 0 $aErotic art$vExhibitions.
650 7 $aArt, Abstract.$2fast$0(OCoLC)fst00815850
650 7 $aCubism.$2fast$0(OCoLC)fst00884864
650 7 $aErotic art.$2fast$0(OCoLC)fst00914768
655 7 $aExhibition catalogs.$2lcgft
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aBorchardt-Hume, Achim,$eeditor.$4edt
700 1 $aIreson, Nancy,$eeditor.$4edt
700 1 $aClark, T. J.$q(Timothy J.),$econtributor.$4ctb
700 1 $aCox, Neil,$econtributor.$4ctb
700 1 $aMadeline, Laurence,$econtributor.$4ctb
700 1 $aMikulinsky, Alma,$econtributor.$4ctb
700 1 $aWidmaier Picasso, Diana,$econtributor.$4ctb
710 2 $aTate Modern (Gallery),$ehost institution.
710 2 $aMusée Picasso (Paris, France),$ehost institution.
852 00 $bfaxlc$hN6853.P5$iA4 2018w