MARC Record from marc_columbia

LEADER: 03927cam a2200577Ii 4500
001 13572465
005 20181218122428.0
008 181012t20172017gw ac bc 000 0 eng d
019 $a1019646769
020 $a9783959051903
020 $a3959051905
035 $a(OCoLC)on1016794880
035 $a(OCoLC)1016794880$z(OCoLC)1019646769
035 $a(NNC)13572465
040 $aERASA$beng$erda$cERASA$dZYU$dYDX$dUKTTE$dOCLCF$dJPG
041 0 $aeng$ager
050 4 $aN8243.S67$bA34 2017
080 $aD-DUS-KAI
082 04 $a700.411
245 00 $aAffect me :$bsocial media images in art /$ccurated by Julia Höner, Kerstin Schankweiler ; editing, Marion Eisele, Julia Höner, Kerstin Schankweiler.
246 30 $aSocial media images in art
250 $a1. Auflage =$bFirst edition.
264 1 $aLeipzig :$bSpector Books,$c[2017]
264 4 $c©2017
300 $a192 pages :$billustrations (chiefly color), portraits ;$c25 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
546 $aParallel texts in English and German.
500 $aPublished on the occasion of the exhibition held at KAI 10/Arthena Foundation, Düsseldorf, Germany, 11 November 2017-10 March 2018.
500 $aArtists: Lara Baladi, Irene Chabr, Forensic Architecture, Lynn Hershman Leeson, Thomas Hirschhorn, Randa Maroufi, Rabih Mroué, Thomas Ruff, D.H. Saur.
500 $a"A cooperation of KAI 10/Arthena Foundation, Düsseldorf and the Collaborative Research Center 1171 Affective Societies at Freie Universität Berlin"--Page 191.
504 $aIncludes bibliographical references.
520 8 $aThe way we deal with images has dramatically changed in the age of Facebook, Instagram, Twitter and Co. Images circulating on digital networks have become the most significant means of personal expression for an extended public. The interactive component of Web 2.0 offers a new dialogue-based space in which users can communicate almost in real time. The posts include banal moments from the user's life as well as visual evidence from the trouble spots of current global crises. The images move the user; they are "liked" en masse or provoke protests, induce criticism or unrestrained attacks; they instigate public debates and appear to create a sense of community. This situation is where the exhibition, "Affect Me. Social Media Images in Art", is rooted. It presents works from nine international artistic positions that refer to the new phenomena of social media imagery and select particular pictorial material that draws its energy from the context of global political conflicts and civil-social protest on the net. Their work reflects the usage and the semantics of these images as well as considering their aesthetic qualities. They elucidate the mobilising power of the images and demonstrate how these images create facts and thereby operate along the porous border between reality and fiction.
650 0 $aSocial media in art$vExhibitions.
650 0 $aSocial media$xPolitical aspects$vExhibitions.
650 0 $aArt and the Internet$vExhibitions.
650 0 $aArt, Modern$y21st century$xThemes, motives$vExhibitions.
650 7 $aArt and the Internet.$2fast$0(OCoLC)fst01739207
650 7 $aSocial media in art.$2fast$0(OCoLC)fst01904724
650 7 $aSocial media$xPolitical aspects.$2fast$0(OCoLC)fst01983657
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aHöner, Julia,$eeditor,$eorganizer.
700 1 $aSchankweiler, Kerstin,$eeditor,$eorganizer.
700 1 $aEisele, Marion,$eeditor.
710 2 $aKAI 10 Raum für Kunst,$ehost institution,$eorganizer.
710 2 $aSonderforschungsbereich 1171 "Affective Societies,"$eorganizer.
730 02 $aAffect me.
730 02 $aAffect me.$lGerman.
852 00 $boff,fax$hN8243.S67$iA34 2017g