MARC Record from marc_columbia

LEADER: 03658cam a2200517Ii 4500
001 13507081
005 20181022143311.0
008 180831t20182018nyua cb 000 0 eng d
020 $a9780998632667$qpaperback
020 $a099863266X$qpaperback
035 $a(OCoLC)on1041710402
035 $a(OCoLC)1041710402
035 $a(NNC)13507081
040 $aVVPCS$beng$erda$cVVPCS$dOCLCO$dOCLCF$dYDX
043 $an-us-ny
050 4 $aN8655.N4$bA44 2018
050 4 $aN8659.C66$bA4 2018
082 04 $a708.00973$223
245 04 $aThe conditions of being art :$bPat Hearn Gallery & American Fine Arts, Co. /$cedited by Jeannine Tang, Ann E. Butler, and Lia Gangitano.
264 1 $aAnnandale-on-Hudson, NY :$bCenter for Curatorial Studies, Bard College ;$aBrooklyn, NY :$bDancing Foxes Press,$c2018.
264 4 $c©2018
300 $a295 pages :$billustrations (chiefly color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition held June 23-December 14, 2018, at CCS Bard, Annandale-on-Hudson, NY.
520 8 $a"The conditions of being art examines the activities of innovating contemporary art galleries Pat Hearn Gallery and American Fine Arts, Co., and the transnational milieu of artists, dealers, and critics that surrounded them. Drawing on the archives of Pat Hearn and Colin de Land--both independently important figures on the New York art scene of the 1980s and 1990s--and interviews with their peers, this publication illustrates the dealers' distinctive practices, significant exhibitions, events, and daily business. ... Featuring commissioned essays, archival materials and exhibition timelines for both galleries, this publication is the first book-length critical account of 1990s commercial gallery practices and vibrantly documents how Hearn and de Land tested notions of what an art gallery could be"--Page 4 of cover.
505 00 $tViews from the gallery /$rMason Leaver-Yap --$tBusiness as usual: American Fine Arts, Co., Colin de Land Fine Art /$rJeannine Tang --$tHearn/De Land /$rDiedrich Diederichsen --$tOverexposed: an episode at Pat Hearn Gallery /$rJohanna Burton --$tThe image makers on Wooster Street /$rJennifer King --$tShapes of time: Renée Green's crosscutting flow /$rKobena Mercer --$tWe dream /$rLia Gangitano --$tQueer deformativity: Mark Morrisroe, Jack Pierson, and Jimmy De Sana at Pat Hearn /$rJill H. Casid --$tExperimental people /$rLauren Cornell --$tHistory remains /$rAnn E. Butler -- Exhibition chronologies.
504 $aIncludes bibliographical references.
610 20 $aAmerican Fine Arts, Co.$xHistory$vExhibitions.
610 20 $aPat Hearn Gallery$xHistory$vExhibitions.
600 10 $aDe Land, Colin,$d1955-2003$vExhibitions.
600 10 $aHearn, Pat,$d1955-2000$vExhibitions.
600 17 $aDe Land, Colin,$d1955-2003.$2fast$0(OCoLC)fst01957005
600 17 $aHearn, Pat,$d1955-2000.$2fast$0(OCoLC)fst01966481
610 27 $aAmerican Fine Arts, Co.$2fast$0(OCoLC)fst01976453
650 0 $aArt galleries, Commercial$zNew York (State)$zNew York$vExhibitions.
650 7 $aArt galleries, Commercial.$2fast$0(OCoLC)fst00815540
651 7 $aNew York (State)$zNew York.$2fast$0(OCoLC)fst01204333
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aTang, Jeannine,$eeditor.
700 1 $aButler, Ann E.,$eeditor.
700 1 $aGangitano, Lia,$d1968-$eeditor.
710 2 $aBard College.$bCenter for Curatorial Studies,$ehost institution.
852 00 $bfaxlc$hN8659.C66$iA4 2018g