MARC Record from marc_columbia

LEADER: 02833cam a2200421 i 4500
001 13590432
005 20190216174238.0
008 180319t20192019nyua b 001 0 eng
010 $a 2018008347
019 $a1021231262
020 $a9780815374183$qpaperback ;$qalkaline paper
020 $a0815374186$qpaperback ;$qalkaline paper
035 $a(OCoLC)on1029791345
035 $a(OCoLC)1029791345$z(OCoLC)1021231262
035 $a(NNC)13590432
040 $aDLC$beng$erda$cDLC$dOCLCQ$dOCLCO$dBDX$dOCLCF$dYDX$dERASA$dYDX$dOCLCO
042 $apcc
050 00 $aBR115.A8$bT79 2019
082 00 $a246/.53$223
100 1 $aTsakiridou, Cornelia A.,$eauthor.
245 10 $aTradition and transformation in Christian art :$bthe transcultural icon /$cC.A. Tsakiridou.
264 1 $aNew York, NY :$bRoutledge,$c2019.
264 4 $c©2019
300 $axii, 229 pages ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRoutledge research in art and religion
504 $aIncludes bibliographical references and index.
505 0 $aTradition and iconographic types -- Iconicity and eschatology -- Ascetics in prison -- Sinaitic and Franciscan theophanies -- Byzantine encounters with the dead Christ -- The penitential imagination -- The King of Glory in Italy -- Missionary masses -- The mystical colony -- New Mexican acheiropoietai -- The Greek icon.
520 8 $aTradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows). This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.
650 0 $aChristianity and art.
650 0 $aMan of Sorrows (Art)
650 7 $aChristianity and art.$2fast$0(OCoLC)fst00859651
650 7 $aMan of Sorrows (Art)$2fast$0(OCoLC)fst01894457
776 08 $iOnline version:$aTsakiridou, Cornelia A.$tTradition and transformation in Christian art.$dNew York : Routledge, 2018$z9781351187275$w(DLC) 2018014056
830 0 $aRoutledge research in art and religion.
852 00 $buts$hBR115.A8$iT79 2019