MARC Record from marc_columbia

LEADER: 03512cam a2200409Ii 4500
001 13501208
005 20180917140944.0
008 180508s2017 ag ac b 000 0cspa d
020 $a9789874151223
020 $a9874151226
035 $a(OCoLC)on1035408918
035 $a(OCoLC)1035408918
035 $a(NNC)13501208
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCF$dOCLCA$dJPG
043 $as-ag---
050 4 $aN7485.A7$bE58 2017
245 00 $aEntre la academia y la crítica :$bla construcción discursiva y disciplinar de la historia del arte : Argentina, siglo XX /$cSandra M. Szir, María Amalia García (editoras).
250 $aPrimera edición.
264 1 $aBuenos Aires :$bEDUNTREF,$c2017.
300 $a339 pages :$billustrations, portraits ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 8 $aEduardo Schiaffino / Marina Aguerre -- José León Pagano / Sebastián Vidal Mackinson -- Martin S. Noel / Martha Penhos -- Damián Carlos Bayón / Isabel Plante -- Alberto Rex González / Alejandra Alliaud -- Marta Traba / María Amalia Garcia -- Jorge Glusberg / Mariana Marchesi -- Ángel Guido / Pablo Montini -- Bonifacio Del Carril / Pablo Montini -- Héctor Schenoe / Gabriela Siracusano -- Adolfo Ruiz Ribera / Carla Guillermina García -- José Emilio Burucúa / Ana Schwartzman -- Alfredo Chiabra Acosta Atalayaʺ / Diana B. Wechsler -- Julio E. Payró / Juan Cruz Andrada, Catalina Fara -- Cayetano Córdova Iturburu / Talía Bermejo -- Jorge Romero Brest / Silvia Dolinko -- Ronaldo Brughetti / Cristina Rossi -- Jorge Lopez Anaya / Natalia Pineau.
520 $aThe formation of art history as a discipline in Argentina, its main discursive constructions in academic research and in the practice of criticism from their textual productions (individual and collective publishing projects, journals). Relevant figures with registered activities in both fields, Julio E. Payró and Jorge Romero Brest, in the academic, Adolfo Rivera and Héctor Schenone, in criticism, such as Aldo Pellegrini and Julio Llinás, will all be considered. From the analysis of the discursive construction of art historical writing, we will attempt to reflect on the analytical perspectives or methods that allowed them to address Argentine art and its specificity; the notions of canon and aesthetic hierarchy from which the story of national art history and the categorizations that emerged around this concept and its distinctive features, its links with European or Latin American cities are all built. It will also explore the relationship between historiography, artistic production and the social, political and cultural context as well as the redefinition of the field that produced in recent years the expansion of the corpus to include other objects of visual culture.
650 0 $aArtists$zArgentina$xHistory$y20th century.
650 0 $aArt criticism$zArgentina$xHistory$y20th century.
650 7 $aArt criticism.$2fast$0(OCoLC)fst00815492
650 7 $aArtists.$2fast$0(OCoLC)fst00817559
651 7 $aArgentina.$2fast$0(OCoLC)fst01205614
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aGarcía, María Amalia,$d1975-$eeditor.
700 1 $aSzir, Sandra M.,$eeditor.
710 2 $aUniversidad Nacional de Tres de Febrero,$esponsoring body.
852 00 $boff,fax$hN7485.A7$iE58 2017g