MARC Record from marc_columbia

LEADER: 04448cam a2200661 i 4500
001 13603557
005 20181218122936.0
008 181108t20182017enka bc f001 0 eng c
010 $a 2017039725
019 $a1004260882
020 $a9781848222649$qhardcover
020 $a1848222645$qhardcover
035 $a(OCoLC)on1002419059
035 $a(OCoLC)1002419059$z(OCoLC)1004260882
035 $a(NNC)13603557
040 $aDGPO/DLC$beng$erda$cGPO$dDLC$dGPO$dOCLCF$dYDX$dZHM$dOCLCA$dYDX$dOCLCO$dHFL$dU3G$dTFW$dOCLCO$dAVA$dDEBBG$dOCLCO$dAVA$dHTV$dAUD
042 $apcc
043 $ae------
050 00 $aNE625$b.G25 2018
082 00 $a769.94074/753$223
086 0 $aSI 8.2:P 93
100 1 $aGabbarelli, Jamie,$eauthor.
245 10 $aSharing images :$bRenaissance prints into maiolica and bronze /$cJamie Gabbarelli, with Jonathan Bober.
246 30 $aRenaissance prints into maiolica and bronze
264 1 $aLondon :$bLund Humphries ;$aChicago :$bDistributed in North America by Art Stock Books,$c[2018]
264 4 $c©2017
300 $a156 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Exhibition ... organized by the National Gallery of Art, Washington."
520 $a"It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher.
504 $aIncludes bibliographical references and index.
505 00 $gDirector's foreword --$gAcknowledgments --$gLenders to the exhibition --$gPreface --$tTransmitted and transformed : the visual currency of Renaissance multiples --$tThe fifteenth century --$tThe influence of Rome : antiquity and Michelangelo --$tRaphael and his workshop --$tAfter Raphael : Parmigianino, Rosso, and Caraglio --$tItaly and the north --$tThe influence of illustrated books --$gChecklist of the exhibition --$gBibliography --$gGlossary of terms --$gIndex.
650 0 $aPrints, European$vExhibitions.
650 0 $aPrints, Renaissance$vExhibitions.
650 0 $aMajolica$vExhibitions.
650 0 $aBronzes, European$vExhibitions.
650 7 $aBronzes, European.$2fast$0(OCoLC)fst00839572
650 7 $aMajolica.$2fast$0(OCoLC)fst01006203
650 7 $aPrints, European.$2fast$0(OCoLC)fst01076896
650 7 $aPrints, Renaissance.$2fast$0(OCoLC)fst01076951
650 7 $aRezeption$2gnd$0(DE-588)4049716-1
650 7 $aDruckgrafik$2gnd$0(DE-588)4113357-2
650 7 $aKeramische Malerei$2gnd$0(DE-588)4287412-9
650 7 $aBronzerelief$2gnd$0(DE-588)4146692-5
650 7 $aFayence$2gnd$0(DE-588)4127928-1
648 4 $aGeschichte 1420-1600.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aAusstellungskatalog$xNational Gallery of Art$y01.04.2018-05.08.2018$zWashington, DC.$0(DE-588)4135467-9.$2gnd
655 7 $aExhibition catalogs.$2lcgft
700 1 $aBober, Jonathan,$ewriter of preface.
710 2 $aNational Gallery of Art (U.S.),$eorganizer.
710 2 $aNational Gallery of Art (U.S.).$bPublishing Office,$epublisher.
710 2 $aLund Humphries,$epublisher.
856 42 $uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030154295&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA$zInhaltsverzeichnis
852 00 $bfaxlc$hNE625$i.G25 2018