MARC Record from marc_columbia

LEADER: 02009cam a2200409 i 4500
001 13609042
005 20181218123135.0
008 180927s2016 pe a 000 0 spa d
020 $a9786124705502
020 $a6124705508
035 $a(OCoLC)on1055259194
035 $a(OCoLC)1055259194
035 $a(NNC)13609042
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCF$dNNC
041 0 $aspa$aeng
050 4 $aN7433.4.R36$bC88 2016
100 1 $aRandall Weeks, Ishmael,$d1976-$eartist.
245 10 $aCuts, burns, punctures /$cIshmael Randall Weeks.
250 $aPrimera edición.
250 $aLimited edition.
264 1 $aLima :$bMeier Ramirez :$bRevolver Galeria,$c2016.
300 $a148 unnumbered pages :$billustrations ;$c24 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aprojected$bn$2rdamedia
337 $aunmediated$bbg$2rdamedia
338 $aslide$bbgs$2rdacarrier
338 $avolume$bnc$2rdacarrier
500 $aCover title.
500 $a"Although their colors, textures, and origins allude to a more domestic remembrance, perhaps the series should be considered a collection of images of the country's public memory. As part of the multichannel installation from which they originally derive, they reference - intentionally or not - the Allegory of the Cave. Consequently, through this dark registry, they are part of a desired-though-elusive reality, sort of like a ashback, that also documents a period of mass territorial urbanization that took place half a century ago, rede ning Peruvian reality on many levels. Rodrigo Quijano"--Publisher's website (viewed on October 25, 2017).
500 $aLimited edition of 250 numbered copies.
500 $aCuts, burns, punctures / Rodrigo Quijano.
546 $aText in Spanish and English.
650 0 $aPhotography, Artistic.
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
655 7 $aArtists' books$y2016.$2att
852 00 $boff,fax$hN7433.4.R36$iC88 2016g