MARC Record from marc_columbia

LEADER: 06710cam a2201045 i 4500
001 13610685
005 20220525090154.0
008 181119t20182018ctuab e bc 001 0 eng d
024 $a99990578189
024 $a99980855549
024 $a99979259786
035 $a(OCoLC)on1057472594
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019 $a1029892139$a1030031333$a1080113352$a1200987826$a1201619150$a1201626252$a1201855450$a1201860069$a1201975578$a1202019798
020 $a9780300229066$q(hardcover)
020 $a0300229062$q(hardcover)
035 $a(OCoLC)1057472594$z(OCoLC)1029892139$z(OCoLC)1030031333$z(OCoLC)1080113352$z(OCoLC)1200987826$z(OCoLC)1201619150$z(OCoLC)1201626252$z(OCoLC)1201855450$z(OCoLC)1201860069$z(OCoLC)1201975578$z(OCoLC)1202019798
043 $ae------$ae-fr---$an-us---
050 4 $aN8232$b.M87 2018
082 04 $a704.9/424$223
082 04 $a709.4$223
084 $aJ110.95$2clc
100 1 $aMurrell, Denise,$eauthor.
245 10 $aPosing modernity :$bthe black model from Manet and Matisse to today /$cDenise Murrell.
246 30 $aBlack model from Manet and Matisse to today
264 1 $aNew Haven :$bYale University Press ;$aNew York :$bin association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York,$c[2018]
264 4 $c©2018
300 $axvii, 206 pages :$billustrations (some colour), map ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
585 $aPublished on the occasion of the exhibition of the same name held at Miriam and Ira D. Wallach Art Gallery, New York, USA, October 24, 2018-February 10, 2019, and at Musée d'Orsay, Paris, March 26-July 14, 2019.
504 $aIncludes bibliographical references (pages 185-195) and index.
505 00 $tIntroduction: the gift of Olympia --$gPrologue.$tManet's Laure and the histories of art --$gChapter 1.$tOlympia in context: Manet, the Impressionists, and black Paris --$gChapter 2.$tAffinities and interface: modern portraits of black women in the art of Matisse and the Harlem Renaissance --$gChapter 3.$tA reimagined legacy: the black female figure from Bearden to now --$tProfiles of three models --$tMap: northern Paris ca. 1850-1950.
520 $a"This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices."--Publisher's description.
650 0 $aArtists' models$xBlack people$vExhibitions.
650 0 $aAfrican American models$vExhibitions.
650 0 $aArtists and models in art.
650 0 $aBlack people in art$vExhibitions.
650 0 $aModernism (Art)$zUnited States$vExhibitions.
650 0 $aModernism (Art)$zEurope$vExhibitions.
650 0 $aBlack people$zFrance$zParis.
650 0 $aHarlem Renaissance.
650 0 $aArtists and models in art$xBlack people$vExhibitions.
650 6 $aArtistes et modèles dans l'art$xNoirs$vExpositions.
650 6 $aModèles (Art)$xNoirs$vExpositions.
650 6 $aModèles noirs américains$vExpositions.
650 6 $aModernisme (Art)$zEurope$vExpositions.
650 6 $aNoirs$zFrance$zParis.
650 6 $aModernisme (Art)$zÉtats-Unis$vExpositions.
650 6 $aMannequins noirs américains$vExpositions.
650 6 $aNoirs dans l'art$vExpositions.
650 6 $aHarlem Renaissance.
650 7 $aHarlem Renaissance.$2aat
650 7 $a20.10.$2bcl
650 7 $a20.21.$2bcl
650 7 $aArtists' models$xBlacks$vExhibitions.$2cct
650 7 $aAfrican American models$vExhibitions.$2cct
650 7 $aBlacks in art$vExhibitions.$2cct
650 7 $aModernism (Art)$zUnited States$vExhibitions.$2cct
650 7 $aModernism (Art)$zEurope$vExhibitions.$2cct
650 7 $aBlacks$yFrance.$2cct
651 7 $aFrance$yParis.$2cct
651 7 $aUnited States.$2cct
651 7 $aEurope.$2cct
650 7 $aArt and Design.$2eflch
650 7 $aHarlem Renaissance.$2fast$0(OCoLC)fst00951467
650 7 $aBlack people in art.$2fast$0(OCoLC)fst00834024
650 7 $aArtists and models in art.$2fast$0(OCoLC)fst01896033
650 7 $aAfrican American models.$2fast$0(OCoLC)fst00799266
650 7 $aBlack people.$2fast$0(OCoLC)fst00833880
650 7 $aModernism (Art)$2fast$0(OCoLC)fst01024442
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
651 7 $aFrance$zParis.$2fast$0(OCoLC)fst01205283
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aKunst$2gnd
650 7 $aModell$gKunst$2gnd
650 7 $aSchwarze$2gnd
650 7 $aArt and Design.$2ukslc
655 7 $aexhibition catalogs.$2aat
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
655 7 $aCatalogues d'exposition.$2rvmgf
710 2 $aWallach Art Gallery,$eorganizer,$ehost institution,$eissuing body.
710 2 $aMusée d'Orsay,$ehost institution.
852 00 $bfaxlc$hN8217.A67$iM87 2018g
852 00 $boff,fax$hN8217.A67$iM87 2018g
852 00 $bfaxlc$hN8217.A67$iM87 2018g
852 00 $bbar$hN8217.A67$iM87 2018