MARC Record from marc_columbia

LEADER: 03962cam a2200481 i 4500
001 13611769
005 20190216174343.0
008 180710t20192019nyua b 001 0 eng
010 $a 2018032915
020 $a9781501341526$qhardcover$qalkaline paper
020 $a1501341529$qhardcover$qalkaline paper
020 $z9781501341540$q(ePDF)
020 $z9781501341533$q(eBook)
024 $a99978583500
035 $a(OCoLC)on1044778105
035 $a(OCoLC)1044778105
035 $a(NNC)13611769
040 $aDLC$beng$erda$cDLC$dERASA$dOCLCF$dOCLCO$dYDX$dOCLCO$dVGM
042 $apcc
043 $ae-fr---
050 00 $aN6848$b.F72 2019
082 00 $a700.944/0904$223
245 00 $aFrance and the visual arts since 1945 :$bremapping European postwar and contemporary art /$cedited by Catherine Dossin.
264 1 $aNew York :$bBloomsbury Visual Arts, Bloomsbury Publishing Inc,$c2019.
264 4 $c©2019
300 $axiii, 287 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 8 $aTaking on the myth of France's creative exhaustion following World War II, this collection of essays brings together an international team of scholars, whose research offers English readers a rich and complex overview of the place of France and French artists in the visual arts since 1945. They introduce greater depth and specificity to familiar artists and movements, such as Lettrism, Situationist International or Nouveau Réalisme, while bringing to the fore lesser known artists and groups, including GRAPUS, the Sociological Art Collective, and Nicolas Schöffer.
505 00 $tBeyond the clichés of "decadence" and the myths of "triumph": rewriting France in the stories of postwar Western art /$rCatherine Dossin --$tArt and communism in postwar France: the impossible task of defining a French socialist realism /$rCécile Pichon-Bonin and Lucia Piccioni --$tThe art of community in Isidore Isou's Traité de bave et d'éternité (1951) /$rMarin Sarvé-Tarr --$tTheir Paris, our Paris: a situationist dérive /$rEmmanuel Guy --$tPinot Gallizio's Cavern: re-excavating postwar Paris /$rSophie Cras --$tAgnès Varda's Du côté de la côte: place as "sociological phenomenon" /$rRosemary O'Neill --$tCybernetic Bordello: Nicolas Schöffer's aesthetic hygiene /$rHervé Vanel --$tNouveau réalisme in its "longue durée": From the nineteenth-century chiffonnier to the remembrance of the Second World War /$rDéborah Laks --$tDecelerating le mouvement of Paris with Vision in Motion -- Motion in Vision of Antwerp: movement, time, and kinetic art, 1955-1959 /$rNoémi Joly --$tThe public art of Jean Tinguely 1959-1991: between performance and permanence /$rElisabeth Tiso --$tJean-Jacques Lebel's Revolution: the French happening, surrealism, and the Algerian War /$rLaurel Fredrickson --$tReimagining communism after 1968: the case of Grapus /$rSami Siegelbaum --$tAutogestion in French art after 1968: a case study of the sociological art collective /$rRuth Erickson --$tAndré Cadere's Disorderly conduct /$rLily Woodruff --$tPlaces of memory and locus: Ernest Pignon-Ernest /$rJacopo Galimberti --$tQuestioning the void: Sophie Calle's Archival subversions /$rRachel Boate --$tClaire Fontaine, redemptions /$rLiam Considine.
650 0 $aArt, French$y20th century.
650 0 $aArt, French$y21st century.
650 0 $aArt and society$zFrance$xHistory$y20th century.
650 0 $aArt and society$zFrance$xHistory$y21st century.
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aArt, French.$2fast$0(OCoLC)fst00816279
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
648 7 $a1900-2099$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aDossin, Catherine,$eeditor.
852 00 $bfaxlc$hN6848$i.F72 2019